STUDIO OF CARLO MARATTA (ITALIAN 1625-1713) PORTRAIT OF MARIA MADDALENA ROSPIGLIOSI PANCIATICHI Oil on canvas 80 x 70cm (31¼ x 27½ in.) The sitter (1645-1695), born in Pistoia, was the daughter of Clement Rospigliosi and niece of Pope Clement IX. Carlo Maratta painted several versions of the present portrait, including: one in the Louvre (inv. no. 1379) which is considered the original; another now in the Galleria Borghese, Rome (inv. no. 574) which is thought to be an autograph replica; and another offered at Christie's, 4 July 2012, lot 218. Maratta was employed by the Rospigliosi family for their portraits during the reign of Clement IX and was known to have supervised numerous studio replicas, as according to Francesco Petrucci is likely the case with the present portrait.
STUDIO OF CARLO MARATTA (ITALIAN 1625-1713) PORTRAIT OF MARIA MADDALENA ROSPIGLIOSI PANCIATICHI Oil on canvas 80 x 70cm (31¼ x 27½ in.) The sitter (1645-1695), born in Pistoia, was the daughter of Clement Rospigliosi and niece of Pope Clement IX. Carlo Maratta painted several versions of the present portrait, including: one in the Louvre (inv. no. 1379) which is considered the original; another now in the Galleria Borghese, Rome (inv. no. 574) which is thought to be an autograph replica; and another offered at Christie's, 4 July 2012, lot 218. Maratta was employed by the Rospigliosi family for their portraits during the reign of Clement IX and was known to have supervised numerous studio replicas, as according to Francesco Petrucci is likely the case with the present portrait.
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