Still Life with Flowers
Painted in 1931. Provenance: Collection of the artist’s family. Anonymous sale; Russian 20th Century and Avant-garde Art , Phillips London, 27 November 1989, Lot 34. Acquired at the above sale by the previous owner. Private collection, UK. Vladimir Lebedev is rightly regarded as one of the most eye-catching and stylish Russian artists of the 1930s. The very appearance of his sumptuous nudes and scintillating still lifes was a statement of resistance against the harsh stagnation of the Soviet system, working in a showy, picturesque manner which was inspired by early Renoir. The mood of Lebedev’s paintings, drenched in sunshine, carries a powerful charge; they are light and optimistic, delighting the eye with their rich colour and endless interplay of undertones. The way the artist’s brushwork, pulsating with motion, conveys the backlighting of objects and the shimmering juxtaposition of flat surfaces is unsurpassed, preserving in the process the authentic outline of the volumes portrayed. The simple form of the glass vase is practically weightless, and the emerald of the stagnant water in which the tired wild flowers stand is the central note of the palette used for this studio work, in which everything maintains the blissful atmosphere of a warm July evening.
Still Life with Flowers
Painted in 1931. Provenance: Collection of the artist’s family. Anonymous sale; Russian 20th Century and Avant-garde Art , Phillips London, 27 November 1989, Lot 34. Acquired at the above sale by the previous owner. Private collection, UK. Vladimir Lebedev is rightly regarded as one of the most eye-catching and stylish Russian artists of the 1930s. The very appearance of his sumptuous nudes and scintillating still lifes was a statement of resistance against the harsh stagnation of the Soviet system, working in a showy, picturesque manner which was inspired by early Renoir. The mood of Lebedev’s paintings, drenched in sunshine, carries a powerful charge; they are light and optimistic, delighting the eye with their rich colour and endless interplay of undertones. The way the artist’s brushwork, pulsating with motion, conveys the backlighting of objects and the shimmering juxtaposition of flat surfaces is unsurpassed, preserving in the process the authentic outline of the volumes portrayed. The simple form of the glass vase is practically weightless, and the emerald of the stagnant water in which the tired wild flowers stand is the central note of the palette used for this studio work, in which everything maintains the blissful atmosphere of a warm July evening.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
