DEIVA DE ANGELIS Gubbio, 1884 - Rome, 1925 Roman landscape, 1923 Oil on canvas, 45 x 55 cm Signed and dated lower right: Deiva De Angelis, 1923 LITERATURE AND EXHIBITED: “I Maestri della Scuola Romana”, curated by A. Statuti, Florence, 2014, p. 97; “L’Arte delle Donne. Dal Rinascimento al Surrealismo”, curated by B. Sgarbi, Palazzo Reale, Federico Motta Editore, Milan, 2007, p. 229. PROVENANCE: Antonello Trombadori Collection BIOGRAPHY: In Rome, where she moved to work as a model and flower girl shortly before the outbreak of the war, she joins an English painter with whom she goes on an educational trip to Europe. Later she marries the lawyer De Angelis, from whom she soon separates. He meets Cipriano Efisio Oppo to whom he is romantically linked. She began her activity as a painter and exhibited for the first time at the 1st Exhibition of the Roman Secession (1913), at which she will also be present with three works in the 1916 edition. The collective exhibition at Casina del Pincio, in 1918 - in which they exhibit, among others, also Oppo, Spadini, Ferrazzi, Pasquarosa, Bertoletti, Socrates - reveals to the Roman environment her strong temperament as a painter. The same year with the other painter - model Pasquarosa Bertoletti, he held a solo exhibition at the Artistic Circle. In the 1920s, he participated in the activity of the Bragaglia Art House, set up a solo show there in 1920 and published drawings in the magazine "Cronache di Actualità". In 1923 she was invited to the II Roman Biennale. Suffering from an incurable disease, she marries the painter Bepi Fabiano, her companion in recent years, on the verge of death. For a long time forgotten artist, also due to the dispersion of many works, he experienced a renewed interest starting from the Florentine exhibition "Modern Art in Italy 1915-1935" (1967). BIBLIOGRAPHY: G. Sprovieri, in Modern Art in Italy 1915-1935, cat. exhibition, Florence 1967; L. Vergine, The other half of the avant-garde 1910-1940, cat. exhibition, Rome 1980; G. Sprovieri, F. Benzi, entry in cat. The artists of Villa Strohl-fern, Rome 1983; Roman school, artists between the two wars, exhibition catalog, edited by M. Fagiolo, V. Rivosecchi, collaboration with F.R. Morelli, Milan 1988. Good condition Frame, without glass
DEIVA DE ANGELIS Gubbio, 1884 - Rome, 1925 Roman landscape, 1923 Oil on canvas, 45 x 55 cm Signed and dated lower right: Deiva De Angelis, 1923 LITERATURE AND EXHIBITED: “I Maestri della Scuola Romana”, curated by A. Statuti, Florence, 2014, p. 97; “L’Arte delle Donne. Dal Rinascimento al Surrealismo”, curated by B. Sgarbi, Palazzo Reale, Federico Motta Editore, Milan, 2007, p. 229. PROVENANCE: Antonello Trombadori Collection BIOGRAPHY: In Rome, where she moved to work as a model and flower girl shortly before the outbreak of the war, she joins an English painter with whom she goes on an educational trip to Europe. Later she marries the lawyer De Angelis, from whom she soon separates. He meets Cipriano Efisio Oppo to whom he is romantically linked. She began her activity as a painter and exhibited for the first time at the 1st Exhibition of the Roman Secession (1913), at which she will also be present with three works in the 1916 edition. The collective exhibition at Casina del Pincio, in 1918 - in which they exhibit, among others, also Oppo, Spadini, Ferrazzi, Pasquarosa, Bertoletti, Socrates - reveals to the Roman environment her strong temperament as a painter. The same year with the other painter - model Pasquarosa Bertoletti, he held a solo exhibition at the Artistic Circle. In the 1920s, he participated in the activity of the Bragaglia Art House, set up a solo show there in 1920 and published drawings in the magazine "Cronache di Actualità". In 1923 she was invited to the II Roman Biennale. Suffering from an incurable disease, she marries the painter Bepi Fabiano, her companion in recent years, on the verge of death. For a long time forgotten artist, also due to the dispersion of many works, he experienced a renewed interest starting from the Florentine exhibition "Modern Art in Italy 1915-1935" (1967). BIBLIOGRAPHY: G. Sprovieri, in Modern Art in Italy 1915-1935, cat. exhibition, Florence 1967; L. Vergine, The other half of the avant-garde 1910-1940, cat. exhibition, Rome 1980; G. Sprovieri, F. Benzi, entry in cat. The artists of Villa Strohl-fern, Rome 1983; Roman school, artists between the two wars, exhibition catalog, edited by M. Fagiolo, V. Rivosecchi, collaboration with F.R. Morelli, Milan 1988. Good condition Frame, without glass
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
