Schelte Bolswert (1586-1659) after Jacob Jordaens (1593-1678)
The Family Concert (‘As the old sing, so the young pipe’)
Schelte Bolswert (1586-1659) after Jacob Jordaens (1593-1678) The Family Concert (‘As the old sing, so the young pipe’) Engraving, circa 1638-1659, a good impression; together with a small collection of prints including The Ratification of the Treaty of Münster by Jonas Suyderhoef (1613-1686) after Gerard ter Borch the Younger (1617-1681) , engraving, circa 1650, a good impression, the text trimmed off; Instruction paternelle by Johann Georg Wille (1715-1808) after Gerard ter Borch the Younger (1617-1681), engraving, circa 1765; Interior of a Church by van der Meer the elder">Noach van der Meer the Younger (1741-1822) after Pieter Jansz. Saenredam (1597-1665) , engraving, circa 1780-90; the Run of the Wild Horses in Rome after Théodore Géricault (1791-1824) , lithograph, circa 1850; and a view of the Baptistery, Cathedral and Bell Tower, Florence by David Gluck (1939-2007) , etching with aquatint, signed and numbered in pencil; some with minor defects, each framed 25 x 32 in. (and smaller) (635 x 813 mm.) (6)
Schelte Bolswert (1586-1659) after Jacob Jordaens (1593-1678)
The Family Concert (‘As the old sing, so the young pipe’)
Schelte Bolswert (1586-1659) after Jacob Jordaens (1593-1678) The Family Concert (‘As the old sing, so the young pipe’) Engraving, circa 1638-1659, a good impression; together with a small collection of prints including The Ratification of the Treaty of Münster by Jonas Suyderhoef (1613-1686) after Gerard ter Borch the Younger (1617-1681) , engraving, circa 1650, a good impression, the text trimmed off; Instruction paternelle by Johann Georg Wille (1715-1808) after Gerard ter Borch the Younger (1617-1681), engraving, circa 1765; Interior of a Church by van der Meer the elder">Noach van der Meer the Younger (1741-1822) after Pieter Jansz. Saenredam (1597-1665) , engraving, circa 1780-90; the Run of the Wild Horses in Rome after Théodore Géricault (1791-1824) , lithograph, circa 1850; and a view of the Baptistery, Cathedral and Bell Tower, Florence by David Gluck (1939-2007) , etching with aquatint, signed and numbered in pencil; some with minor defects, each framed 25 x 32 in. (and smaller) (635 x 813 mm.) (6)
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