Beschreibung:

James Croak (1951) Interpersonal Relationship Suit (1995) (3x) Unique pieces Latex, rubber and gravel, approx. H. 193 cm Provenance: - Galerie De La Tour, Amsterdam - Private collection, the Netherlands (3x) * Condition report available upon request
Damien Hirst (1965) Victory over Death (2008) Signed lower right Numbered 41/58 on the reverse Published by The Paragon Press, London Photogravure etching with hand-coloured details in gouache on Arches wove paper, 93.3 x 85.8 cm (image size) x 118.5 x 107.5 cm (sheet size) Provenance: Private collection, the Netherlands * Condition report available upon request
James Croak (1951) Interpersonal Relationship Suit (1995) (3x) Unique pieces Latex, rubber and gravel, approx. H. 193 cm Provenance: - Galerie De La Tour, Amsterdam - Private collection, the Netherlands (3x) * Condition report available upon request
Damien Hirst (1965) Honour (from The Virtues) (2021) Signed and with number 558/693 on a label on the reverse Laminated glicée print on aluminum composite panel, 120 x 96.2 cm Published by Heni Editions, London (cat.no. H9-6) Provenance: - Heni Editions, London, 2021 - Private collection, the Netherlands Note: Damien Hirst the provocative figure among the Young British Artists, gained fame for his unsettling artworks centred around themes of death. However, with The Virtues, Hirst undergoes a notable transformation, revealing his yearning for beauty and hope. The Virtues pays homage to the "Eight Virtues of Bushitō" as named by Nitobe Inazō: courage, mercy, justice, honesty, politeness, honour, loyalty, and self-control. Throughout his artistic journey, Hirst's mother has purportedly not been the biggest admirer of his work. However, with The Virtues, Hirst envisioned a series that would finally resonate with her and garner her appreciation: "When I was making the animals in formaldehyde, she said, 'Oh, there's enough horror in the world, can't you do paintings of flowers?' And I think, my God, it's taken me until I'm 55 before I can please her." * Condition report available upon request
James Croak (1951) Interpersonal Relationship Suit (1995) (3x) Unique pieces Latex, rubber and gravel, approx. H. 193 cm Provenance: - Galerie De La Tour, Amsterdam - Private collection, the Netherlands (3x) * Condition report available upon request
Massimo Vitali (1944) Genova Pegli West (2006) Edition 120 Published by SteidlBG Offset lithograph, 69.7 x 89.8 cm Provenance: - Vogtle Contemporary Gallery, Veyrier, 2011 (incl. invoice) - Private collection, the Netherlands Note: Including a certificate of authenticity by Vogtle Contemporary Gallery dated 26 May 2011. * Condition report available upon request
James Croak (1951) Interpersonal Relationship Suit (1995) (3x) Unique pieces Latex, rubber and gravel, approx. H. 193 cm Provenance: - Galerie De La Tour, Amsterdam - Private collection, the Netherlands (3x) * Condition report available upon request
Erwin Olaf (1959) Hotel Portraits (2010) (6x) Portfolio consisting of C-prints: Winston Salem - Sarah Portrait Moscow - Ming Portrait Moscow - Emily Portrait Milan - Juul Portrait Milan - Irma Portrait Paris - Feline Portrait Five signed, dated 2010 and numbered 4/15 on the reverse Five mounts signed, dated 2010 and numbered 4/15 lower left Each C-print, 26.6 x 20 cm (image size) / 30.6 x 24 cm (sheet size) In original velvet clamshell portfolio case with a small print of Moscow - Emily Portrait on the cover, H. 46.2 x W. 39.1 x D. 4.8 cm Provenance: Private collection, the Netherlands * Condition report available upon request
James Croak (1951) Interpersonal Relationship Suit (1995) (3x) Unique pieces Latex, rubber and gravel, approx. H. 193 cm Provenance: - Galerie De La Tour, Amsterdam - Private collection, the Netherlands (3x) * Condition report available upon request
Inez van Lamsweerde & Vinoodh Matadin (1963 & 1961) B. Dreaming (2004) Signed by both artists and numbered 90/140 on a label on the backing Silkscreen on somerset satin