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Richard Avedon Follow Richard Avedon Made in France San Francisco: Fraenkel Gallery, 2001 A book accompanied by a gelatin silver print, Suzy Parker and Gardner McKay, Dress by Balmain, Café des Beaux-Arts, Paris , 1956. Print 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm) Book 14 3/4 x 11 1/4 x 1/2 in. (37.5 x 28.6 x 1.3 cm) Book signed and numbered 53/100 in ink on the last page. Enclosed in custom wooden slipcase with printed title. Print signed, numbered 53/100 in pencil, title, date, edition information and copyright reproduction limitation stamps on the verso.
Artist Bio Richard Avedon American • 1923 - 2004 Follow From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue , Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious. View More Works