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Auktionsarchiv: Los-Nr. 416

Carlo Scarpa

Design Masters
17.12.2013
Schätzpreis
50.000 $ - 70.000 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 416

Carlo Scarpa

Design Masters
17.12.2013
Schätzpreis
50.000 $ - 70.000 $
Zuschlagspreis:
n. a.
Beschreibung:

PROPERTY OF A LADY Carlo Scarpa "Pennellate" vase, model no. 3785 circa 1942 Clear glass with applied green and amethyst glass. 7 in. (17.8 cm.) high Produced by Venini, Italy. Underside acid-etched with venini/murano/ITALIA.
Provenance Phillips de Pury & Company, New York, "Design Masters," December 13, 2011, lot 41 Literature Marino Barovier, Carlo Scarpa Glass of an Architect, Milan, 1999, pp. 181, 223 for similar examples, p. 285 for a period photograph Marino Barovier, ed., Venetian glass: The Nancy Olnick and Giorgio Spanu Collection, New York, 2000, p. 104 for a similar example Franco Deboni, Venini Glass, Catalogue 1921–2007, vol. 2, Turin, 2007, pl. 102 for a similar example from the Bischofberger collection Marino Barovier, Carlo Scarpa Venini 1932-1947, exh. cat., Fondazione Giorgio Cini and Pentagram Stiftung, Milan, 2012, p. 433 for a similar example, p. 438 for a drawing, period photograph and similar example Artist Bio Carlo Scarpa Italian • 1906 - 1978 Phillips Design has a deep-rooted passion for the work of Carlo Scarpa one of the twentieth century's great poets, whose rhythms, lines and materials — a grammar of space — appeal both as a local response to the architect's birth city, Venice, and a universal language of ordered dynamism. Carlo Scarpa graduated with a degree in architectural drawing from the Accademia di Belle Arti in Venice in 1926. In the years that followed, he worked as a teaching assistant for a former professor, ran his own architectural practice in Venice and worked as a freelance artist for M.V.M. Cappellin glassworks. When M.V.M. Cappellin went bankrupt in 1932, Scarpa joined Venini & C. in Murano, where he served as artistic director until 1947. During his tenure at Venini, Scarpa developed a host of new techniques — in particular, mezza filigrano, a bollicine and corroso — that catapulted the centuries-old tradition of Venetian glassblowing to the forefront of modernist design. View More Works

Auktionsarchiv: Los-Nr. 416
Auktion:
Datum:
17.12.2013
Auktionshaus:
Phillips
New York
Beschreibung:

PROPERTY OF A LADY Carlo Scarpa "Pennellate" vase, model no. 3785 circa 1942 Clear glass with applied green and amethyst glass. 7 in. (17.8 cm.) high Produced by Venini, Italy. Underside acid-etched with venini/murano/ITALIA.
Provenance Phillips de Pury & Company, New York, "Design Masters," December 13, 2011, lot 41 Literature Marino Barovier, Carlo Scarpa Glass of an Architect, Milan, 1999, pp. 181, 223 for similar examples, p. 285 for a period photograph Marino Barovier, ed., Venetian glass: The Nancy Olnick and Giorgio Spanu Collection, New York, 2000, p. 104 for a similar example Franco Deboni, Venini Glass, Catalogue 1921–2007, vol. 2, Turin, 2007, pl. 102 for a similar example from the Bischofberger collection Marino Barovier, Carlo Scarpa Venini 1932-1947, exh. cat., Fondazione Giorgio Cini and Pentagram Stiftung, Milan, 2012, p. 433 for a similar example, p. 438 for a drawing, period photograph and similar example Artist Bio Carlo Scarpa Italian • 1906 - 1978 Phillips Design has a deep-rooted passion for the work of Carlo Scarpa one of the twentieth century's great poets, whose rhythms, lines and materials — a grammar of space — appeal both as a local response to the architect's birth city, Venice, and a universal language of ordered dynamism. Carlo Scarpa graduated with a degree in architectural drawing from the Accademia di Belle Arti in Venice in 1926. In the years that followed, he worked as a teaching assistant for a former professor, ran his own architectural practice in Venice and worked as a freelance artist for M.V.M. Cappellin glassworks. When M.V.M. Cappellin went bankrupt in 1932, Scarpa joined Venini & C. in Murano, where he served as artistic director until 1947. During his tenure at Venini, Scarpa developed a host of new techniques — in particular, mezza filigrano, a bollicine and corroso — that catapulted the centuries-old tradition of Venetian glassblowing to the forefront of modernist design. View More Works

Auktionsarchiv: Los-Nr. 416
Auktion:
Datum:
17.12.2013
Auktionshaus:
Phillips
New York
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