Beschreibung:

PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION Dennis Adams Patricia Hearst A thru Z 1989-90 portfolio of 26 two-color serigraphs Each 20 x 16 in. (50.8 x 40.6 cm.) This work is signed, numbered and dated "A/P 7/10 D Adams 90" on title page 2. This work is numbered "A/P 7/10" lower left of print "Z"; further signed and dated "D Adams 90" lower right of print "Z". This work is artist's proof 7 from an edition of 30 plus 10 artist's proofs.
Provenance Acquired directly from the artist from the present owner Exhibited New York, Alternative Museum, Dennis Adams Building Against Image 1979–1987, 1987 (another example exhibited) Munich, The Orangerie, Englischer Garten, Dennis Adams 1991 (another example exhibited) New York, Whitney Museum of American Art, Variations on Themes: Recent Print Acquisitions, December 13, 1991 - March 15, 1992 (another example exhibited) New York, International Center of Photography, Special Collections: The Photographic Order from Pop to Now, July 31 – October 16, 1992, then traveled to Evanston, Northwestern University; Block Gallery (January 14 – March 5, 1993), Tempe, Arizona State University Art Museum (April 23 – May 22, 1993), Norfolk, Virginia, The Chrysler Museum (June 26 – August 22, 1993), Miami Beach, Bass Museum of Art (October 15 – December 5, 1993), New York, The Museum at Stony Brook (January 9 - March 6, 1994), Vancouver, Vancouver Art Gallery (April 13 – May 30, 1994), San Francisco, Ansel Adams Center (June 21 – August 24, 1994), Lincoln, Sheldon Memorial Art Gallery (September 13 – November 6, 1994) (another example exhibited) Pully/Lausanne, FAE Musée d'Art Contemporain, Post Human, June 1992, then traveled to Torino, Castello di Rivoli, Museo d'Arte Contemporanea (1992), Athens, Deste Foundation for Contemporary Art (1992), Hamburg, Deichtorhallen (1992), Jerusalem, Israel Museum (1992) (another example exhibited) Hannover, Sprengel Museum, Konstruktion Zitat: Kollektive Bilder in der Fotografie, August 29 – October 31, 1993 (another example exhibited) Munich, Stadtische Galerie, Lenbachhaus, American Art, 1996 (another example exhibited) New York, P.S.1 Contemporary Art Center, The Promise of Photography; Selections from the DG BANK Collection, September 12 – October 24, 1999, then traveled to Frankfurt, Schirn Kunsthalle (1999) (another example exhibited) New York, Museum of Modern Art, Open Ends/One Thing After Another, September 28, 2000–March 4, 2001 (another example exhibited) Long Beach, University Art Museum, Double Vision: Photographs from the Strauss Collection, 2001 then traveled to San Diego, Museum of the Photographic Arts (January 3 - March 1, 2002) (another example exhibited) Literature J. Bowsher, Patricia Hearst—A thru Z. Minneapolis: Minneapolis College of Art and Design, 1979, n.p. P. D'Agostino, L. Thomas, eds., Still Photography: the Problematic Model, San Francisco: NPS Press, 1981, pp. 111-115 Dennis Adams Building Against Image 1979–198, exh. cat., Alternative Museum, New York,1987, n.p. E. Leffingwell, K. Marta, eds., Modern Dreams: The Rise and Fall and Rise of Pop Art, New York: The Clocktower Gallery, The Institute for Contemporary Art, and Cambridge, Massachusetts, and London: MIT Press, 1988, p. 117 (illustrated) M. A. Staniszewski, “Dennis Adams: The Architecture of Amnesia", International Directory of Exhibition Catalogues: Directory Issue, 1991-1992, pp. 18-19 Special Collections: The Photographic Order from Pop to Now, exh. cat., New York: International Center of Photography, 1992, p. 35 (illustrated) F. Bex, Transactions, Antwerp: Museum van Hedendaagse Kunst , 1994, pp. 20-21 J. Deitch, Post Human, exh. cat., Stuttgar/Athens: Cantz/Deste Foundation for Contemporary Art, 1992, pp. 70-71 T. Weski & S. Iglhaut, Konstruktion Zitat: Kollektive Bilder in der Fotografie, Hannover: Sprengel Museum, 1993, p. 43 (illustrated) J. Fitch, Double Vision: Photographs from the Strauss Collection, Long Beach: University Art Museum, 2000, n.p.