Constantinople and the Scenery of the Seven Churches of Asia Minor, illustrated. In a Series of Drawings from Nature. With Descriptions of the Plates by Robert Walsh, 2 volumes in 1, Peter Jackson, late Fisher, Son, & Co, [circa 1845], together with Allom (Thomas, illustrator, & others), Belgium, the Rhine, Italy, Greece, and the Shores and Islands of the Mediterranean, illustrated in a Series of Beautifully-Executed Engravings, with Historical, Classical, and Picturesque Descriptions, by G. N. Wright, and L. F. A. Buckingham, 2 volumes, Peter Jackson, late Fisher, Son, & Co., [1851], Constantinople with 2 engraved frontispieces, 92 engraved plates including frontispieces, vignette titles, map, tissue-guards, Belgium with 2 frontispieces, 150 plates, vignette titles, tissue-guards, occasional spotting and marginal damp-staining in both works, stronger in frontispieces, vignette titles and final plates, a few marginal nicks, contemporary ownership inscriptions, ink-stamps and ink-flecks to endpapers and vignette titles, all edges gilt, uniform contemporary hard-grain red morocco gilt, rubbed and worn, Constantinople headcap chipped, Belgium volume 2 front joint tender, 4to Cf. Atabey 1316 and Blackmer 1766 for the first work. (3)
Constantinople and the Scenery of the Seven Churches of Asia Minor, illustrated. In a Series of Drawings from Nature. With Descriptions of the Plates by Robert Walsh, 2 volumes in 1, Peter Jackson, late Fisher, Son, & Co, [circa 1845], together with Allom (Thomas, illustrator, & others), Belgium, the Rhine, Italy, Greece, and the Shores and Islands of the Mediterranean, illustrated in a Series of Beautifully-Executed Engravings, with Historical, Classical, and Picturesque Descriptions, by G. N. Wright, and L. F. A. Buckingham, 2 volumes, Peter Jackson, late Fisher, Son, & Co., [1851], Constantinople with 2 engraved frontispieces, 92 engraved plates including frontispieces, vignette titles, map, tissue-guards, Belgium with 2 frontispieces, 150 plates, vignette titles, tissue-guards, occasional spotting and marginal damp-staining in both works, stronger in frontispieces, vignette titles and final plates, a few marginal nicks, contemporary ownership inscriptions, ink-stamps and ink-flecks to endpapers and vignette titles, all edges gilt, uniform contemporary hard-grain red morocco gilt, rubbed and worn, Constantinople headcap chipped, Belgium volume 2 front joint tender, 4to Cf. Atabey 1316 and Blackmer 1766 for the first work. (3)
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.jpg "Quelle: Christie's")
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