[28] pp. Cover illustrated by Pablo Picasso with 6 additional lithographs by Picasso and tipped-in plates from photographs. 31.7x24.6 cm (12½x9¾"), printed illustrated wrappers tied with cord as issued. Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's Parade (1917, choreography: Léonide Massine), Le Tricorne (The Three-Cornered Hat) (1919, choreography: Massine), Pulcinella (1920, choreographer: Massine), and Cuadro Flamenco (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of La Boutique fantasque (The Magic Toyshop), (1919, choreography: Massine) and designed the drop curtain for Le Train Bleu (1924, choreography: Bronislava Nijinska , based on his painting Two Women Running on the Beach (The Race), 1922.
[28] pp. Cover illustrated by Pablo Picasso with 6 additional lithographs by Picasso and tipped-in plates from photographs. 31.7x24.6 cm (12½x9¾"), printed illustrated wrappers tied with cord as issued. Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's Parade (1917, choreography: Léonide Massine), Le Tricorne (The Three-Cornered Hat) (1919, choreography: Massine), Pulcinella (1920, choreographer: Massine), and Cuadro Flamenco (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of La Boutique fantasque (The Magic Toyshop), (1919, choreography: Massine) and designed the drop curtain for Le Train Bleu (1924, choreography: Bronislava Nijinska , based on his painting Two Women Running on the Beach (The Race), 1922.
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