A group of four salt prints of wood engravings of Marc Antoine Raimondi, 1854, three large prints, approximately 265 x 415 mm and similar, and one smaller approximately 175 x 145 mm, original mounts, two of the larger ones and the smaller one with printed details to mounts (Le Massacre des Innocence, Le Jugment de Paris and La Poesie) This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. Truthful Lens 46. (4)
A group of four salt prints of wood engravings of Marc Antoine Raimondi, 1854, three large prints, approximately 265 x 415 mm and similar, and one smaller approximately 175 x 145 mm, original mounts, two of the larger ones and the smaller one with printed details to mounts (Le Massacre des Innocence, Le Jugment de Paris and La Poesie) This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. Truthful Lens 46. (4)
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