Photographs.- N. (W.H., photographer) The Pavilion, Brighton, albumen print, c.160 x 170mm. arched at head, mounted on thin card, caption and photographer's initials in ink below, mount a little soiled, 1854 § Charlton (J.G., photographer of Canterbury) Canterbury Cathedral, Norman vault arch, entrance to the 'Lavatory Tower', c.290 x 235mm., studio stamp on verso, [c.1895] § Wilton House and Cedars, albumen print, c.225 x 275mm., on card mount, [c.1880]; and a quantity of other photographs, mostly topographical or ecclesiastical, including many by Harold Baker of Birmingham (some signed by him on mount), 3 by Robert Welch of peat-cutting and cottages in rural Ireland, a view of John Bunyan's cottage, Anstey's cove Torquay with bathing huts and a later large image of an old woman with a donkey on Achill Island Co.Mayo in 1951, some mounted on card, v.s., [most late 19th century]. (c.100)
Photographs.- N. (W.H., photographer) The Pavilion, Brighton, albumen print, c.160 x 170mm. arched at head, mounted on thin card, caption and photographer's initials in ink below, mount a little soiled, 1854 § Charlton (J.G., photographer of Canterbury) Canterbury Cathedral, Norman vault arch, entrance to the 'Lavatory Tower', c.290 x 235mm., studio stamp on verso, [c.1895] § Wilton House and Cedars, albumen print, c.225 x 275mm., on card mount, [c.1880]; and a quantity of other photographs, mostly topographical or ecclesiastical, including many by Harold Baker of Birmingham (some signed by him on mount), 3 by Robert Welch of peat-cutting and cottages in rural Ireland, a view of John Bunyan's cottage, Anstey's cove Torquay with bathing huts and a later large image of an old woman with a donkey on Achill Island Co.Mayo in 1951, some mounted on card, v.s., [most late 19th century]. (c.100)
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