Artist: Philip Flanagan (b.1960) Title: Seamus Heaney (1990) Signature: signed by both the artist and Seamus Heaney Medium: bronze on French limestone - numbered 2 from an edition of 9 Size: 60 x 24 x 26cm (23.6 x 9.4 x 10.2in) Provenance: Acquired directly from the artist by the present owner a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} As an artist Philip Flanagan first came to public attention in the early 1990s with a number of commissioned portrait heads of prominent Irish actors, writers, musicians, politicians and others. Flanagan explores not only the physicality of the si... Read more As an artist Philip Flanagan first came to public attention in the early 1990s with a number of commissioned portrait heads of prominent Irish actors, writers, musicians, politicians and others. Flanagan explores not only the physicality of the sitter, but also quietly reveals the character within. Seamus agreed to sit for me and we made it up in Donegal. I decided that, because I had such a limited time to make the head that I would make it more like a large charcoal drawing, in that I would keep everything very general - a very loose kind of modelling, but at the same time a tight framework of measurement under the surface, so that the head would not stray away from my intention to get a likeness, and to express Heaneys personality. ' The emphasis on structure is a throwback to the artists early sculptural training in the Coldstream tradition, that is, on precise observation and measurement of the forms of the figure, practised at the Camberwell School of art in London where Flanagan was a student in the early 1980s. Dr. S.B. Kennedy, March 2019
Artist: Philip Flanagan (b.1960) Title: Seamus Heaney (1990) Signature: signed by both the artist and Seamus Heaney Medium: bronze on French limestone - numbered 2 from an edition of 9 Size: 60 x 24 x 26cm (23.6 x 9.4 x 10.2in) Provenance: Acquired directly from the artist by the present owner a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} As an artist Philip Flanagan first came to public attention in the early 1990s with a number of commissioned portrait heads of prominent Irish actors, writers, musicians, politicians and others. Flanagan explores not only the physicality of the si... Read more As an artist Philip Flanagan first came to public attention in the early 1990s with a number of commissioned portrait heads of prominent Irish actors, writers, musicians, politicians and others. Flanagan explores not only the physicality of the sitter, but also quietly reveals the character within. Seamus agreed to sit for me and we made it up in Donegal. I decided that, because I had such a limited time to make the head that I would make it more like a large charcoal drawing, in that I would keep everything very general - a very loose kind of modelling, but at the same time a tight framework of measurement under the surface, so that the head would not stray away from my intention to get a likeness, and to express Heaneys personality. ' The emphasis on structure is a throwback to the artists early sculptural training in the Coldstream tradition, that is, on precise observation and measurement of the forms of the figure, practised at the Camberwell School of art in London where Flanagan was a student in the early 1980s. Dr. S.B. Kennedy, March 2019
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