PETER PAUL RUBENS (1577-1640) Saint Catherine etching with engraving, circa 1620-30, on laid paper, without watermark, a very good, strong impression of the third, final state, with narrow to thread margins, the sheet corners and part of the lower sheet edge damaged and repaired, some pale time staining and pinpoint foxmarks Plate 296 x 198 mm., Sheet 300 x 202 mm. Provenance Charles Howard Hodges (1764-1837), Amsterdam (Lugt 552);. Staatliche Museen zu Berlin, Kupferstichkabinett (Lugt 1606), with their de-accession stamp (Lugt 2482); Ulrich Ochsenbein (1811-1890) and Alfred Ochsenbein (1883-1919), Switzerland; then by descent.
PETER PAUL RUBENS (1577-1640) Saint Catherine etching with engraving, circa 1620-30, on laid paper, without watermark, a very good, strong impression of the third, final state, with narrow to thread margins, the sheet corners and part of the lower sheet edge damaged and repaired, some pale time staining and pinpoint foxmarks Plate 296 x 198 mm., Sheet 300 x 202 mm. Provenance Charles Howard Hodges (1764-1837), Amsterdam (Lugt 552);. Staatliche Museen zu Berlin, Kupferstichkabinett (Lugt 1606), with their de-accession stamp (Lugt 2482); Ulrich Ochsenbein (1811-1890) and Alfred Ochsenbein (1883-1919), Switzerland; then by descent.
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