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Auktionsarchiv: Los-Nr. 7

PAUL CÉZANNE (french 1839-1906) "LA VIE

Schätzpreis
1.200.000 $ - 1.800.000 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 7

PAUL CÉZANNE (french 1839-1906) "LA VIE

Schätzpreis
1.200.000 $ - 1.800.000 $
Zuschlagspreis:
n. a.
Beschreibung:

PAUL CÉZANNE (french 1839-1906) "LA VIE DES CHAMPS" Oil on canvas 10 7/8 x 13 7/8 in. (27.6 x 35.2cm) Executed in 1876-1877. provenance: Collection of Ambroise Vollard, Paris, France. Collection of Prince Antoine Bibesco, Paris, France. Hôtel Drouot, Paris, sale of June 27, 1931, lot 75. Pierre Matisse Gallery, New York, New York. Parke-Bernet, New York, sale of January 6, 1949, lot 48. Galerie de l'Élysée, with Alex Maguy, Paris, France. Acquavella Galleries, New York, New York. Collection of Mrs. Elinor Dorrance Ingersoll. By descent in the family. Collection of Dorrance H. Hamilton. exhibited: "Pictures, Drawings, and Sculptures of the French School of the Last 100 Years," Burlington Fine Arts Club, London, United Kingdom, 1922, no. 17 (exhibited as "Landscape"). "Paintings and Drawings by Paul Cézanne 1839-1906," Leicester Galleries, London, United Kingdom, June-July 1925, no. 18 (exhibited as "Paysage"). "Cézanne," Philadelphia Museum of Art, Philadelphia, Pennsylvania, November 3-December 10, 1934, no. 7 (dated circa 1880). "Cézanne," Galeries Nationales du Grand Palais, Paris, France; Tate Gallery, London, United Kingdom and Philadelphia Museum of Art, Philadelphia, Pennsylvania, May 30-September 1, 1996 (travelling exhibition, only exhibited in Philadelphia). literature: Ambroise Vollard, A Stockbook, no. 3314. Walter Sickert, "French Art of the Nineteenth Century," The Burlington Magazine for Connoisseurs, vol. 40, no. 231, p. 260-258, plate III, C. Lionello Venturi, Cézanne: Son Art, Son Oeuvre, Pierre Rosenberg, Paris, 1936, vol. 2, no. 251 (illustrated). Françoise Cachin, Isabelle Cahn and Walter Feilchenfeldt, Cézanne, an Exhibition Catalogue, Harry N. Abrams, New York, 1996, no. 43, p. 162-164 (illustrated). John Rewald, The Paintings of Paul Cézanne A Catalogue Raisonné, Thames & Hudson, London, 1997, vol. 2, no. 282 (illustrated). Nina Athanassoglou-Kallmyer, Cézanne and Provence, The Painter in His Culture, University of Chicago Press, Chicago, 2003, p. 204, fig. 5.18 (illustrated). Denis Coutagne, "The Jas de Bouffan Landscapes," Jas de Bouffan: Cézanne, Société Paul Cézanne Hexagone, Aix-en-Provence, 2004, p. 98-139, fig. 86 (illustrated). Pavel Machotka, Cézanne: La Sensation à l'Oeuvre, The Eye and the Mind, Crès Editions, Marseille, 2008, vol. 1, fig. 78 and vol. 2, p. 73. Jean Colrat, Cézanne: Joindre les Mains Errantes de la Nature, Ph.D. Dissertation, Université d'Aix-Marseille, Presses de l'Université Paris-Sorbonne, Paris, 2013, p. 232, plate 110 (illustrated). W. Feilchenfeldt, J. Warman & D. Nash, The Paintings of Paul Cézanne an online Catalogue Raisonné, no. 641 (illustrated). note: Reflecting on Paul Cézanne's career, Pablo Picasso (1881-1973) realized that few artists had a greater impact on the art of the 20th century, acknowledging "He was like the father of us all." In many respects, Cézanne was the first artist to explore abstraction in Western painting and in doing so, he paved the way for a new representation of perspective and space, free from any rule or hierarchy. Treating each aspect of his compositions with the same thoroughness, Cézanne left behind an important, yet complicated legacy: "the most difficult works of art [to access] and yet the most powerful [ones]," according to Philip Conisbee ("L'Atelier des Lauves" in Cézanne en Provence, exhibition catalogue, 2006, p. 257). Still, the artist remained misunderstood and criticized for a significant part of his life. It was not until 1895, when art dealer and gallery owner Ambroise Vollard (1866-1939) gave him his first solo exhibition, that he was able to redefine and demonstrate his true achievements. This was a major turning point for Cézanne's career and ultimately allowed him to secure a legacy as a modern master. Paul Cézanne was born in Aix-en-Provence in 1839. The eldest of three children, he grew up in a very well-to-do family, and largely lived up to his father's great expectations. In high school, he met Baptistin Baill

Auktionsarchiv: Los-Nr. 7
Auktion:
Datum:
29.04.2018
Auktionshaus:
Freeman's
Philadelphia
Beschreibung:

PAUL CÉZANNE (french 1839-1906) "LA VIE DES CHAMPS" Oil on canvas 10 7/8 x 13 7/8 in. (27.6 x 35.2cm) Executed in 1876-1877. provenance: Collection of Ambroise Vollard, Paris, France. Collection of Prince Antoine Bibesco, Paris, France. Hôtel Drouot, Paris, sale of June 27, 1931, lot 75. Pierre Matisse Gallery, New York, New York. Parke-Bernet, New York, sale of January 6, 1949, lot 48. Galerie de l'Élysée, with Alex Maguy, Paris, France. Acquavella Galleries, New York, New York. Collection of Mrs. Elinor Dorrance Ingersoll. By descent in the family. Collection of Dorrance H. Hamilton. exhibited: "Pictures, Drawings, and Sculptures of the French School of the Last 100 Years," Burlington Fine Arts Club, London, United Kingdom, 1922, no. 17 (exhibited as "Landscape"). "Paintings and Drawings by Paul Cézanne 1839-1906," Leicester Galleries, London, United Kingdom, June-July 1925, no. 18 (exhibited as "Paysage"). "Cézanne," Philadelphia Museum of Art, Philadelphia, Pennsylvania, November 3-December 10, 1934, no. 7 (dated circa 1880). "Cézanne," Galeries Nationales du Grand Palais, Paris, France; Tate Gallery, London, United Kingdom and Philadelphia Museum of Art, Philadelphia, Pennsylvania, May 30-September 1, 1996 (travelling exhibition, only exhibited in Philadelphia). literature: Ambroise Vollard, A Stockbook, no. 3314. Walter Sickert, "French Art of the Nineteenth Century," The Burlington Magazine for Connoisseurs, vol. 40, no. 231, p. 260-258, plate III, C. Lionello Venturi, Cézanne: Son Art, Son Oeuvre, Pierre Rosenberg, Paris, 1936, vol. 2, no. 251 (illustrated). Françoise Cachin, Isabelle Cahn and Walter Feilchenfeldt, Cézanne, an Exhibition Catalogue, Harry N. Abrams, New York, 1996, no. 43, p. 162-164 (illustrated). John Rewald, The Paintings of Paul Cézanne A Catalogue Raisonné, Thames & Hudson, London, 1997, vol. 2, no. 282 (illustrated). Nina Athanassoglou-Kallmyer, Cézanne and Provence, The Painter in His Culture, University of Chicago Press, Chicago, 2003, p. 204, fig. 5.18 (illustrated). Denis Coutagne, "The Jas de Bouffan Landscapes," Jas de Bouffan: Cézanne, Société Paul Cézanne Hexagone, Aix-en-Provence, 2004, p. 98-139, fig. 86 (illustrated). Pavel Machotka, Cézanne: La Sensation à l'Oeuvre, The Eye and the Mind, Crès Editions, Marseille, 2008, vol. 1, fig. 78 and vol. 2, p. 73. Jean Colrat, Cézanne: Joindre les Mains Errantes de la Nature, Ph.D. Dissertation, Université d'Aix-Marseille, Presses de l'Université Paris-Sorbonne, Paris, 2013, p. 232, plate 110 (illustrated). W. Feilchenfeldt, J. Warman & D. Nash, The Paintings of Paul Cézanne an online Catalogue Raisonné, no. 641 (illustrated). note: Reflecting on Paul Cézanne's career, Pablo Picasso (1881-1973) realized that few artists had a greater impact on the art of the 20th century, acknowledging "He was like the father of us all." In many respects, Cézanne was the first artist to explore abstraction in Western painting and in doing so, he paved the way for a new representation of perspective and space, free from any rule or hierarchy. Treating each aspect of his compositions with the same thoroughness, Cézanne left behind an important, yet complicated legacy: "the most difficult works of art [to access] and yet the most powerful [ones]," according to Philip Conisbee ("L'Atelier des Lauves" in Cézanne en Provence, exhibition catalogue, 2006, p. 257). Still, the artist remained misunderstood and criticized for a significant part of his life. It was not until 1895, when art dealer and gallery owner Ambroise Vollard (1866-1939) gave him his first solo exhibition, that he was able to redefine and demonstrate his true achievements. This was a major turning point for Cézanne's career and ultimately allowed him to secure a legacy as a modern master. Paul Cézanne was born in Aix-en-Provence in 1839. The eldest of three children, he grew up in a very well-to-do family, and largely lived up to his father's great expectations. In high school, he met Baptistin Baill

Auktionsarchiv: Los-Nr. 7
Auktion:
Datum:
29.04.2018
Auktionshaus:
Freeman's
Philadelphia
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