Nan Goldin Follow Suzanne with Mona Lisa, Mexico City 1981 Dye destruction print, printed later. 26 x 38 1/2 in. (66 x 97.8 cm) Signed, titled, dated and numbered 20/25 in ink on the reverse of the flush-mount.
Provenance Matthew Marks Gallery, New York Private Collection, New York Literature Aperture, Nan Goldin The Ballad of Sexual Dependency , p. 23 Goldin, Nan Goldin Couples and Loneliness , p. 14 Whitney Museum of American Art, Nan Goldin I’ll Be Your Mirror , p. 152 Artist Bio Nan Goldin American • 1953 Follow American artist Nan Goldin uses photography to expose the intimate and vulnerable nature of her personal life. Her photographs are raw, authentic, sexual and, at times, highly violent. Her most famous series, The Ballad of Sexual Dependency , chronicles Goldin's life during the late 1970s and '80s, following the artist through the gritty, abusive and often dangerous situations she put herself through. The material being half-autobiographical and half-universal, Goldin attempts to depict the complexities of city living by way of diaristic practices. Having shot New York during its golden years, she has created an expansive archive of the AIDS crisis, drug abuse in the 1980s, underground culture and urban development. View More Works
Nan Goldin Follow Suzanne with Mona Lisa, Mexico City 1981 Dye destruction print, printed later. 26 x 38 1/2 in. (66 x 97.8 cm) Signed, titled, dated and numbered 20/25 in ink on the reverse of the flush-mount.
Provenance Matthew Marks Gallery, New York Private Collection, New York Literature Aperture, Nan Goldin The Ballad of Sexual Dependency , p. 23 Goldin, Nan Goldin Couples and Loneliness , p. 14 Whitney Museum of American Art, Nan Goldin I’ll Be Your Mirror , p. 152 Artist Bio Nan Goldin American • 1953 Follow American artist Nan Goldin uses photography to expose the intimate and vulnerable nature of her personal life. Her photographs are raw, authentic, sexual and, at times, highly violent. Her most famous series, The Ballad of Sexual Dependency , chronicles Goldin's life during the late 1970s and '80s, following the artist through the gritty, abusive and often dangerous situations she put herself through. The material being half-autobiographical and half-universal, Goldin attempts to depict the complexities of city living by way of diaristic practices. Having shot New York during its golden years, she has created an expansive archive of the AIDS crisis, drug abuse in the 1980s, underground culture and urban development. View More Works
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