Meiji era (1868-1912), circa 1890s Two horizontal handscrolls, each mounted with over 20 oban triptychs depicting the Sino-Japanese War by Meiji-era artists including Toshikata, Kiyochika, Gekko and Ginko: the first with 21 oban triptychs including six by Toshikata and two by Kiyochika including one titled Heijo kogeki denki shiyo no zu (Night Attack on Pyong-yang); the second with 22 triptychs and five single oban prints, including six by Toshikata, two by Gekko including one titled Nisshin senso Kinshujo tsuigeki no zu (The Shino-Japanese War: Attack on Jinzhou Castle) and one by Kiyochika, together with five oban sheets by Kiyochika from the series Nihon banzai hyakusen hyakusho (One Hundred Victories, One Hundred Laughs); all variously published and variously signed; with a wood storage box inscribed Seishin gafu (Illustrated Book of the Sino-Japanese War). Each triptych approx. 36cm x 71cm (14 1/8in x 28in). (3).
Meiji era (1868-1912), circa 1890s Two horizontal handscrolls, each mounted with over 20 oban triptychs depicting the Sino-Japanese War by Meiji-era artists including Toshikata, Kiyochika, Gekko and Ginko: the first with 21 oban triptychs including six by Toshikata and two by Kiyochika including one titled Heijo kogeki denki shiyo no zu (Night Attack on Pyong-yang); the second with 22 triptychs and five single oban prints, including six by Toshikata, two by Gekko including one titled Nisshin senso Kinshujo tsuigeki no zu (The Shino-Japanese War: Attack on Jinzhou Castle) and one by Kiyochika, together with five oban sheets by Kiyochika from the series Nihon banzai hyakusen hyakusho (One Hundred Victories, One Hundred Laughs); all variously published and variously signed; with a wood storage box inscribed Seishin gafu (Illustrated Book of the Sino-Japanese War). Each triptych approx. 36cm x 71cm (14 1/8in x 28in). (3).
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