Maurice Brazil Prendergast American, 1859-1924 Farm House near Annisquam, Massachusetts, circa 1916-19 Signed Prendergast twice (ll and lr) Watercolor, graphite pencil, pastel, charcoal and gouache on paper 11 1/2 x 15 5/8 inches Provenance: The artist Charles Prendergast by inheritance, 1924 Dr. and Mrs. J. R. Dunham Laird, Spring Valley, NY [With] Paul Kunkel [With] Arcadia, Washington, DC, by 1983 [With] Larry Schar, New York [With] Richard York Gallery, New York, 1986 [With] Marshall Henis, Great Neck, NY, 1986 Private collection, 1986 Exhibited: Los Angeles, Los Angeles County Museum of Art, Maurice Prendergast, Feb. 20 - Apr. 21, 1991 Literature: Carol Clark, Nancy Mowll Mathews, and Gwendolyn Owens, Maurice Brazil Prendergast Charles Prendergast A Catalogue Raisonne, Williams College Museum of Art, 1990, p. 520, no. 1281, illus. C
Remains of tape on the verso at the edge at center of each of the four sides. Tack holes at the upper corners; the upper right corner (in an area matching the contour of a tack is bare). Paper is cream colored. There is no evidence of tears or restoration.
Maurice Brazil Prendergast American, 1859-1924 Farm House near Annisquam, Massachusetts, circa 1916-19 Signed Prendergast twice (ll and lr) Watercolor, graphite pencil, pastel, charcoal and gouache on paper 11 1/2 x 15 5/8 inches Provenance: The artist Charles Prendergast by inheritance, 1924 Dr. and Mrs. J. R. Dunham Laird, Spring Valley, NY [With] Paul Kunkel [With] Arcadia, Washington, DC, by 1983 [With] Larry Schar, New York [With] Richard York Gallery, New York, 1986 [With] Marshall Henis, Great Neck, NY, 1986 Private collection, 1986 Exhibited: Los Angeles, Los Angeles County Museum of Art, Maurice Prendergast, Feb. 20 - Apr. 21, 1991 Literature: Carol Clark, Nancy Mowll Mathews, and Gwendolyn Owens, Maurice Brazil Prendergast Charles Prendergast A Catalogue Raisonne, Williams College Museum of Art, 1990, p. 520, no. 1281, illus. C
Remains of tape on the verso at the edge at center of each of the four sides. Tack holes at the upper corners; the upper right corner (in an area matching the contour of a tack is bare). Paper is cream colored. There is no evidence of tears or restoration.
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.jpg "Quelle: Christie's")
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