Marguerite Friedlander and Trude Petri Extract teapot and tea caddy from the “Hallesche Form” series 1930 Teapot: glazed and gilded porcelain, metal; tea caddy: glazed and gilded porcelain. Each manufactured by Königliche Porzellanmanufaktur, Germany and Kunstgewerbeschule Burg Giebichstein, Germany. Underside stamped with Szeptermarke, manufacturer’s mark, Burg Giebichenstein stamp, additionally written in anthracite, “84/116" and tea caddy written in black "84/116"(2). Teapot: 5 1/2 x 5 x 3 1/2 in. (14 x 12.5 x 9 cm); tea caddy: 3 3/4 in. (9 cm) high, 2 3/8 in. (6 cm) diameter
Literature Katja Schneider, Burg Giebichstein, Tafelband, Weinheim, 1992, illustrated p. 339, no. 236.10-11 and pp. 337-338, no. 236.9 for an example without the gold ring; Karl H. Bröhan, Porzellan: Kunst und Design, 1889 bis 1939 vom Jugendstil zum Funktionalismus, exh. cat., vol. VI, Berlin, 1993, pp. 242-253 for the “Halleschen Form” service and p. 248, no. 242 for the teapot; Torsten Bröhan and Thomas Berg, Avantgarde Design, 1880-1930, Cologne, 1994, p. 122
Marguerite Friedlander and Trude Petri Extract teapot and tea caddy from the “Hallesche Form” series 1930 Teapot: glazed and gilded porcelain, metal; tea caddy: glazed and gilded porcelain. Each manufactured by Königliche Porzellanmanufaktur, Germany and Kunstgewerbeschule Burg Giebichstein, Germany. Underside stamped with Szeptermarke, manufacturer’s mark, Burg Giebichenstein stamp, additionally written in anthracite, “84/116" and tea caddy written in black "84/116"(2). Teapot: 5 1/2 x 5 x 3 1/2 in. (14 x 12.5 x 9 cm); tea caddy: 3 3/4 in. (9 cm) high, 2 3/8 in. (6 cm) diameter
Literature Katja Schneider, Burg Giebichstein, Tafelband, Weinheim, 1992, illustrated p. 339, no. 236.10-11 and pp. 337-338, no. 236.9 for an example without the gold ring; Karl H. Bröhan, Porzellan: Kunst und Design, 1889 bis 1939 vom Jugendstil zum Funktionalismus, exh. cat., vol. VI, Berlin, 1993, pp. 242-253 for the “Halleschen Form” service and p. 248, no. 242 for the teapot; Torsten Bröhan and Thomas Berg, Avantgarde Design, 1880-1930, Cologne, 1994, p. 122
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