KIRKLAND, DOUGLAS (1935). "Marylin Monroe 1961". Archival Pigment Print. Späterer Abzug, wohl 2013. Bildmass 93,5 x 67,5 cm; Blattgrösse 70 x 100 cm. Unterhalb des Bildes eigenhändig bezeichnet, voll signiert und nummeriert 7/25. Verso montiert "Certificate of Authenticity", voll signiert vom Photographen, mit blindgeprägtem Stempel, datiert 12. November 2013. Darauf montierte Galerie-Etikett. Gerahmt. Literatur: Kirkland, Douglas. An Evening/1961 with Marilyn. New York, 2015. (N.p., mit Abb.). "Through the years I have often been asked what really happened in that room with Marilyn. I can only say this: It was extremely intimate. When I looked down on her from the high position over the bed, I felt like I couldn't put film through the camera fast enough. I had no assistant there. It was just myself, the camera and Marilyn. I didn't even use a strobe light. It was just a flood light, a constant light, so that there was no interruption of flash. Frank Sinatra filled the room with his seductive, beautiful ballads. That was the atmosphere of the evening: quiet, soft, and enticing." (Kirkland 2015, n.p.) "I was becoming very stimulated and I made no secret of it. Marilyn showed me how she felt; slithering, erotically between the sheets. I kept shooting." (Kirkland 2015, n.p.)
KIRKLAND, DOUGLAS (1935). "Marylin Monroe 1961". Archival Pigment Print. Späterer Abzug, wohl 2013. Bildmass 93,5 x 67,5 cm; Blattgrösse 70 x 100 cm. Unterhalb des Bildes eigenhändig bezeichnet, voll signiert und nummeriert 7/25. Verso montiert "Certificate of Authenticity", voll signiert vom Photographen, mit blindgeprägtem Stempel, datiert 12. November 2013. Darauf montierte Galerie-Etikett. Gerahmt. Literatur: Kirkland, Douglas. An Evening/1961 with Marilyn. New York, 2015. (N.p., mit Abb.). "Through the years I have often been asked what really happened in that room with Marilyn. I can only say this: It was extremely intimate. When I looked down on her from the high position over the bed, I felt like I couldn't put film through the camera fast enough. I had no assistant there. It was just myself, the camera and Marilyn. I didn't even use a strobe light. It was just a flood light, a constant light, so that there was no interruption of flash. Frank Sinatra filled the room with his seductive, beautiful ballads. That was the atmosphere of the evening: quiet, soft, and enticing." (Kirkland 2015, n.p.) "I was becoming very stimulated and I made no secret of it. Marilyn showed me how she felt; slithering, erotically between the sheets. I kept shooting." (Kirkland 2015, n.p.)
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