Showa era (1926-1989), 1928-1946 Comprising four oban tate-e and an oban yoko-e print; the first entitled Shinagawa (Shinagawa River), dated 1946; the second entitled Sanshu Zentsuji (Zentsuji Temple in Sanuki Province), from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), dated 1937; the third entitled Soshu Maekawa no ame (Rain at Maekawa in Sagami Province), from the series Tokaido fukei senshu (Views of the Tokaido Road), dated 1932; the forth entitled Urayasu no zansetsu (Lingering Snow at Urayasu), dated 1932; each published by Watanabe Shozaburo (with 6mm Watanabe round seal); the last entitled Sakurada mon (Sakurada Gate of the Imperial Palace), from the series Tokyo nijukei (20 Views of Tokyo), dated 1928; each signed Hasui(5) 15 1/8 x 10 5/16in (38.4 x 26.2cm) each approximately 10 11/16 x 15 5/16in (27.1 x 38.8cm)
Showa era (1926-1989), 1928-1946 Comprising four oban tate-e and an oban yoko-e print; the first entitled Shinagawa (Shinagawa River), dated 1946; the second entitled Sanshu Zentsuji (Zentsuji Temple in Sanuki Province), from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), dated 1937; the third entitled Soshu Maekawa no ame (Rain at Maekawa in Sagami Province), from the series Tokaido fukei senshu (Views of the Tokaido Road), dated 1932; the forth entitled Urayasu no zansetsu (Lingering Snow at Urayasu), dated 1932; each published by Watanabe Shozaburo (with 6mm Watanabe round seal); the last entitled Sakurada mon (Sakurada Gate of the Imperial Palace), from the series Tokyo nijukei (20 Views of Tokyo), dated 1928; each signed Hasui(5) 15 1/8 x 10 5/16in (38.4 x 26.2cm) each approximately 10 11/16 x 15 5/16in (27.1 x 38.8cm)
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