Showa era (1926-1989) Comprising an oban tate-e, an oban yoko-e, three dai oban tate-e and a dai oban yoko-e; the first entitled Kasumu yube Shinobazu ikehata (Hazy Evening on the Shore of Shinobazu Pond), dated 1932, published by Watanabe Shozaburo (with Hanken shoyu fukyo mosha Watanabe Shozaburo seal), signed Kasamatsu Shiro; the second entitled Murotomisaki no ame (Rain at Cape Muroto), dated 1947, published by Unsodo (with Gomeigaisha Unsodo ban seal), signed Hideo; the third entitled Shiasu no hi, Tori no ichi, Otaka jinja (December 31st, Tori Festival at Otaka Shrine), signed in pencil Yoshitoshi Mori; two prints entitled Oharame, published by Uchida, circa 1948; the sixth depicting a castle, signed Hashi; the last carved by Maeda Kentaro, printed by Sato Ritsuzo, signed Goyo ga (7) 15 1/4 x 10 1/16in (38.7 x 25.5cm) smallest 18 5/16 x 12 1/4in (46.7 x 31cm) largest
Showa era (1926-1989) Comprising an oban tate-e, an oban yoko-e, three dai oban tate-e and a dai oban yoko-e; the first entitled Kasumu yube Shinobazu ikehata (Hazy Evening on the Shore of Shinobazu Pond), dated 1932, published by Watanabe Shozaburo (with Hanken shoyu fukyo mosha Watanabe Shozaburo seal), signed Kasamatsu Shiro; the second entitled Murotomisaki no ame (Rain at Cape Muroto), dated 1947, published by Unsodo (with Gomeigaisha Unsodo ban seal), signed Hideo; the third entitled Shiasu no hi, Tori no ichi, Otaka jinja (December 31st, Tori Festival at Otaka Shrine), signed in pencil Yoshitoshi Mori; two prints entitled Oharame, published by Uchida, circa 1948; the sixth depicting a castle, signed Hashi; the last carved by Maeda Kentaro, printed by Sato Ritsuzo, signed Goyo ga (7) 15 1/4 x 10 1/16in (38.7 x 25.5cm) smallest 18 5/16 x 12 1/4in (46.7 x 31cm) largest
.jpg "Quelle: Christie's")
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
