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JONSON, BEN | The Workes. London: Imprinted by Will Stansby, 1616 — The Workes of Benjamin Jonson. The Second [–Third] Volume. Containing these Playes, viz. 1 Bartholomew Fayre. 2 The Staple of Newes. 3 The Divell is an Asse. London: Printed for Rich...

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Auktionsarchiv: Los-Nr. 142

JONSON, BEN | The Workes. London: Imprinted by Will Stansby, 1616 — The Workes of Benjamin Jonson. The Second [–Third] Volume. Containing these Playes, viz. 1 Bartholomew Fayre. 2 The Staple of Newes. 3 The Divell is an Asse. London: Printed for Rich...

Schätzpreis
10.000 $ - 15.000 $
Zuschlagspreis:
10.000 $
Beschreibung:

JONSON, BENThe Workes. London: Imprinted by Will Stansby, 1616 — The Workes of Benjamin Jonson. The Second [–Third] Volume. Containing these Playes, viz. 1 Bartholomew Fayre. 2 The Staple of Newes. 3 The Divell is an Asse. London: Printed for Richard Meighen, (1631–) 1640 [i.e., 1641] 3 vols. in 2, folio (11 1/8 x 7 in.; 282 178 mm [vol. 1]; 10 1/2 x 7 1/4 in.; 269 x 185 mm [vol. 2 {–3}]1616 Workes with engraved title-page by William Hole (Greg's variant *1), woodcut headpieces and initials, with preliminary blank ¶1, the 1640 Workes with Vol. 2 general title-page with woodcut printer's device (McKerrow 339), the three component plays with section-titles with woodcut printer's device (McKerrow 374), woodcut initials and headpieces; Vol. 3 Vol. 3 issued without general title-page, commencing with leaf signed [A1], section-title for The Magnetick Lady, other component parts, save caption-titled Christmas, his Masque, with section-titles; 1616 Workes with scattered light browning, mostly marginal foxing, and occasional rust-stains, S3 with loss to fore-edge margin not affecting text, Hh1 with paper flaw costing a couple of letters of a shoulder-note, 4 or 5 leaves with early repairs to tears into text, 1640 Workes with light marginal dampstain to fore-edge of first ten gatherings, some light browning and scattered soiling, some headlines in third vol. shaved close, generally affecting top rule only. 1616 Workes in contemporary calf, covers with a blind French-fillet border and central gilt arabesque lozenge, plain endpapers, red edges; extremities, joints, and spine rather worn with old repairs, front cover detached. 1640 Workes in eighteenth-century calf, plain endpapers, red edges; rubbed, rebacked, corners restored. First collected edition, first editions of all three volumes. A near-fine copy of Jonson's plays, masques, entertainments, and non-dramatic poetry, second in importance only to Shakespeare’s folios as a seventeenth-century publication of English drama. The publication of a collected "Workes" in folio, its title-page adorned with Classical motifs, was a typically audacious move by Jonson, especially because he included in it nine plays written for the commercial theater. This marked a crucial step in establishing the literary credentials of the public theater, which was often dismissed as ephemeral at the time. The second volume contains the reissued, unsold sheets of three plays published in 1631, which were edited by Jonson and intended to supplement his 1616 Workes. The balance of volume 2 contains masques, plays, and miscellaneous writings edited by Sir Kenelm Digby; it became known almost immediately as the "third volume," despite the absence of an explicit title to that effect. In this copy, the contents of the presumptive third volume, which are in a different order than that given by Greg, are bound before the second volume. REFERENCE:STC 14751, 14754; ESTC S126501, S111824; Greg III, pp. 1070, 1076; Grolier/English 35; Pforzheimer 559, 560 PROVENANCE:1616 Workes: Sir Arthur Throckmorton (ca. 1557–1626, signature at foot of title-page; he was the brother of Elizabeth whose secret marriage to Sir Walter Raleigh was the cause of Raleigh’s imprisonment) — Philip Stanhope, 4th Earl of Chesterfield (armorial bookplate) — Chas. J. Sawyer (offered in catalogue 194 [1949], item 210). 1640 Workes: Joseph Knight (armorial bookplate) — Howard Pease, Otterburn Tower, Northumberland (armorial bookplate). The two volumes married by William E. Stockhausen (Sotheby Parke Bernet, 10 November 1974, lot 304)

Auktionsarchiv: Los-Nr. 142
Auktion:
Datum:
18.12.2019
Auktionshaus:
Sotheby's
New York
Beschreibung:

JONSON, BENThe Workes. London: Imprinted by Will Stansby, 1616 — The Workes of Benjamin Jonson. The Second [–Third] Volume. Containing these Playes, viz. 1 Bartholomew Fayre. 2 The Staple of Newes. 3 The Divell is an Asse. London: Printed for Richard Meighen, (1631–) 1640 [i.e., 1641] 3 vols. in 2, folio (11 1/8 x 7 in.; 282 178 mm [vol. 1]; 10 1/2 x 7 1/4 in.; 269 x 185 mm [vol. 2 {–3}]1616 Workes with engraved title-page by William Hole (Greg's variant *1), woodcut headpieces and initials, with preliminary blank ¶1, the 1640 Workes with Vol. 2 general title-page with woodcut printer's device (McKerrow 339), the three component plays with section-titles with woodcut printer's device (McKerrow 374), woodcut initials and headpieces; Vol. 3 Vol. 3 issued without general title-page, commencing with leaf signed [A1], section-title for The Magnetick Lady, other component parts, save caption-titled Christmas, his Masque, with section-titles; 1616 Workes with scattered light browning, mostly marginal foxing, and occasional rust-stains, S3 with loss to fore-edge margin not affecting text, Hh1 with paper flaw costing a couple of letters of a shoulder-note, 4 or 5 leaves with early repairs to tears into text, 1640 Workes with light marginal dampstain to fore-edge of first ten gatherings, some light browning and scattered soiling, some headlines in third vol. shaved close, generally affecting top rule only. 1616 Workes in contemporary calf, covers with a blind French-fillet border and central gilt arabesque lozenge, plain endpapers, red edges; extremities, joints, and spine rather worn with old repairs, front cover detached. 1640 Workes in eighteenth-century calf, plain endpapers, red edges; rubbed, rebacked, corners restored. First collected edition, first editions of all three volumes. A near-fine copy of Jonson's plays, masques, entertainments, and non-dramatic poetry, second in importance only to Shakespeare’s folios as a seventeenth-century publication of English drama. The publication of a collected "Workes" in folio, its title-page adorned with Classical motifs, was a typically audacious move by Jonson, especially because he included in it nine plays written for the commercial theater. This marked a crucial step in establishing the literary credentials of the public theater, which was often dismissed as ephemeral at the time. The second volume contains the reissued, unsold sheets of three plays published in 1631, which were edited by Jonson and intended to supplement his 1616 Workes. The balance of volume 2 contains masques, plays, and miscellaneous writings edited by Sir Kenelm Digby; it became known almost immediately as the "third volume," despite the absence of an explicit title to that effect. In this copy, the contents of the presumptive third volume, which are in a different order than that given by Greg, are bound before the second volume. REFERENCE:STC 14751, 14754; ESTC S126501, S111824; Greg III, pp. 1070, 1076; Grolier/English 35; Pforzheimer 559, 560 PROVENANCE:1616 Workes: Sir Arthur Throckmorton (ca. 1557–1626, signature at foot of title-page; he was the brother of Elizabeth whose secret marriage to Sir Walter Raleigh was the cause of Raleigh’s imprisonment) — Philip Stanhope, 4th Earl of Chesterfield (armorial bookplate) — Chas. J. Sawyer (offered in catalogue 194 [1949], item 210). 1640 Workes: Joseph Knight (armorial bookplate) — Howard Pease, Otterburn Tower, Northumberland (armorial bookplate). The two volumes married by William E. Stockhausen (Sotheby Parke Bernet, 10 November 1974, lot 304)

Auktionsarchiv: Los-Nr. 142
Auktion:
Datum:
18.12.2019
Auktionshaus:
Sotheby's
New York
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