JONES, OWEN, designer and illuminator and MARY ANN BACON. Winged Thoughts, Longman 1851, 4to, original publisher's repoussé binding of brown leather, covers with stylized feather design, upper cover lettered with the title, decorated spine, all in blind, g.e., corners worn, spine repaired, new endpapers, one leaf detached , chromolithographed title-page, contents page, following page and colophon page, and 12 full-page plates of birds, 12 pages printed in gold outline, 24 pages of letterpress poetry printed in deep red, lithography by E.I. Bateman, McLean Victorian Book Design , p. 94 and illustrations on pp. 96 and 97--MOORE, THOMAS, [OWEN JONES and HENRY WARREN illuminators ]. Paradise and the Peri, Day & Son [1860], large 4to, original publisher's repoussé binding, similar in treatment to the preceding, g.e., extremities worn, new endpapers , 54 chromolithographed illuminated pages, the text and facing illustrations set in broad decorative borders, lithography by Albert Warren, bound in forward is an illuminated leaf with presentation inscription, 23 July 1863, McLean, p. 128 and color plate IX; Ray English 229; both London, each in modern cloth slipcase. (2)
JONES, OWEN, designer and illuminator and MARY ANN BACON. Winged Thoughts, Longman 1851, 4to, original publisher's repoussé binding of brown leather, covers with stylized feather design, upper cover lettered with the title, decorated spine, all in blind, g.e., corners worn, spine repaired, new endpapers, one leaf detached , chromolithographed title-page, contents page, following page and colophon page, and 12 full-page plates of birds, 12 pages printed in gold outline, 24 pages of letterpress poetry printed in deep red, lithography by E.I. Bateman, McLean Victorian Book Design , p. 94 and illustrations on pp. 96 and 97--MOORE, THOMAS, [OWEN JONES and HENRY WARREN illuminators ]. Paradise and the Peri, Day & Son [1860], large 4to, original publisher's repoussé binding, similar in treatment to the preceding, g.e., extremities worn, new endpapers , 54 chromolithographed illuminated pages, the text and facing illustrations set in broad decorative borders, lithography by Albert Warren, bound in forward is an illuminated leaf with presentation inscription, 23 July 1863, McLean, p. 128 and color plate IX; Ray English 229; both London, each in modern cloth slipcase. (2)
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