John Harrison Levee1924 - 2017Untitled signed and dated 57; signed and dated March VII 1957 on the reverseoil on canvasCanvas: 54⅜ by 25¼ in. (138.1 by 64.1 cm.)Framed: 55½ by 26⅛ in. (140.9 by 66.3 cm.) This work has been included in the Online Catalogue Raisonné for John Harrison Levee prepared by Patrick Reynolds, Director of Le Musée Privé and expert for the artist, and identified with the identification number of CRJL1957 N°16.Condition reportThis work is in fair condition overall. There are tonal and textural variations to the surface of the work, inherent to the artist's working method. There is overall surface soiling and discoloration throughout. The canvas is loose on the stretcher and there are scatted areas of undulation and rippling to the canvas, most notably along the left edge. There are areas along the edges of the canvas which have come loose from the nails used for stretching. There is scattered surface cracking throughout, most notably in the central white area of thicker impasto. There is scattered pigment loss and cracking to the edges and corners, most notably in the upper left corner of the composition. Under ultraviolet light, there is no evidence of restoration. Framed without glazing. The lot is sold in the condition it is in at the time of sale. The
John Harrison Levee1924 - 2017Untitled signed and dated 57; signed and dated March VII 1957 on the reverseoil on canvasCanvas: 54⅜ by 25¼ in. (138.1 by 64.1 cm.)Framed: 55½ by 26⅛ in. (140.9 by 66.3 cm.) This work has been included in the Online Catalogue Raisonné for John Harrison Levee prepared by Patrick Reynolds, Director of Le Musée Privé and expert for the artist, and identified with the identification number of CRJL1957 N°16.Condition reportThis work is in fair condition overall. There are tonal and textural variations to the surface of the work, inherent to the artist's working method. There is overall surface soiling and discoloration throughout. The canvas is loose on the stretcher and there are scatted areas of undulation and rippling to the canvas, most notably along the left edge. There are areas along the edges of the canvas which have come loose from the nails used for stretching. There is scattered surface cracking throughout, most notably in the central white area of thicker impasto. There is scattered pigment loss and cracking to the edges and corners, most notably in the upper left corner of the composition. Under ultraviolet light, there is no evidence of restoration. Framed without glazing. The lot is sold in the condition it is in at the time of sale. The
.jpg "Quelle: Christie's")
Testen Sie LotSearch und seine Premium-Features 7 Tage - ohne Kosten!
Lassen Sie sich automatisch über neue Objekte in kommenden Auktionen benachrichtigen.
Suchauftrag anlegen
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
