JEAN-ÉMILE LABOUREUR Vue Panoramique de la Ville de Nantes . Woodcut on Japan paper, 1909. 280x641 mm; 11x25 1/4 inches, full margins. First state (of 3), before letters. Signed and numbered 3/5 in pencil, lower margin, and annotated and signed by Alphonse-François-Lotz-Brissonneau in pencil, lower left. In the original A. Préaubert gilt wood frame and mat, with the framer's label on the frame back A very good impression of this extremely scarce woodcut. We have found only one other impression at auction in the past 25 years. Lotz-Brissonneau (1840-1920) see lot 6, was an important 19th-century prints collector, notably the works of Auguste Lepérè and Jean-Émile Laboureur and along with Laboureur, a fellow native of Nantes. Laboureur 643.
JEAN-ÉMILE LABOUREUR Vue Panoramique de la Ville de Nantes . Woodcut on Japan paper, 1909. 280x641 mm; 11x25 1/4 inches, full margins. First state (of 3), before letters. Signed and numbered 3/5 in pencil, lower margin, and annotated and signed by Alphonse-François-Lotz-Brissonneau in pencil, lower left. In the original A. Préaubert gilt wood frame and mat, with the framer's label on the frame back A very good impression of this extremely scarce woodcut. We have found only one other impression at auction in the past 25 years. Lotz-Brissonneau (1840-1920) see lot 6, was an important 19th-century prints collector, notably the works of Auguste Lepérè and Jean-Émile Laboureur and along with Laboureur, a fellow native of Nantes. Laboureur 643.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
