Jacques Callot Le Tentation de Sainte Antoine (L. 1416) etching, 1635, fifth (final) state, a later impression, with narrow margins, some light staining, lesser defects; with a collection of others by the same hand, including Le grande Ecce Homo (L. 77), three impressions of Les Massacre des Innocents (L. 278, 427 (2)), Les Supplices (L. 1402), and the portrait of Callot by Vorsterman after Van Dyck; with six plates by Goya , one plate from Los Desastres de la Guerra (H. 200), and five plates from Los Proverbios (H. 250, 252, 260, 262, 265), later impressions P. 350 x 465 mm., S. 366 x 475 mm.
Jacques Callot Le Tentation de Sainte Antoine (L. 1416) etching, 1635, fifth (final) state, a later impression, with narrow margins, some light staining, lesser defects; with a collection of others by the same hand, including Le grande Ecce Homo (L. 77), three impressions of Les Massacre des Innocents (L. 278, 427 (2)), Les Supplices (L. 1402), and the portrait of Callot by Vorsterman after Van Dyck; with six plates by Goya , one plate from Los Desastres de la Guerra (H. 200), and five plates from Los Proverbios (H. 250, 252, 260, 262, 265), later impressions P. 350 x 465 mm., S. 366 x 475 mm.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
