HIROSHIGE (1797-1858): oban tate-e (35.8 x 25cm. ea. approx.); Sumida gawa, Hashiba no watashi, Kawaragama "Hashiba Ferry and Tile Kilns, Sumida gawa" from the series Meisho Edo hyakkei "One hundred views of famous places in Edo" published by Uo-ya Eikichi; Konodai, Tonegawa "Konodai on the River Tone" and Soshu Miura no Kaijo "Miura, Sagami", both from the series Fuji sanjurokkei "The thirty-six views of Mount Fuji" and published by Tsuta-ya, all signed Hiroshige ga ; HIROSHIGE II (1826-1869): oban tate-e (35.8 x 24cm.); Shinshu Kiso no yuki "Kiso Gorge in snow, Shinano" from the series Shokoku meisho hyakkei "One hundred views of the Provinces", signed Hiroshige ga and published by Uoya Eikichi--overall fairly good impressions and two with good colours and two lightly faded, two trimmed to one side, the fourth backed, the third with a tear, three laid down (4)
HIROSHIGE (1797-1858): oban tate-e (35.8 x 25cm. ea. approx.); Sumida gawa, Hashiba no watashi, Kawaragama "Hashiba Ferry and Tile Kilns, Sumida gawa" from the series Meisho Edo hyakkei "One hundred views of famous places in Edo" published by Uo-ya Eikichi; Konodai, Tonegawa "Konodai on the River Tone" and Soshu Miura no Kaijo "Miura, Sagami", both from the series Fuji sanjurokkei "The thirty-six views of Mount Fuji" and published by Tsuta-ya, all signed Hiroshige ga ; HIROSHIGE II (1826-1869): oban tate-e (35.8 x 24cm.); Shinshu Kiso no yuki "Kiso Gorge in snow, Shinano" from the series Shokoku meisho hyakkei "One hundred views of the Provinces", signed Hiroshige ga and published by Uoya Eikichi--overall fairly good impressions and two with good colours and two lightly faded, two trimmed to one side, the fourth backed, the third with a tear, three laid down (4)
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