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Auktionsarchiv: Los-Nr. 66

Henri Cartier-Bresson

Photographs
09.04.2011
Schätzpreis
7.000 $ - 9.000 $
Zuschlagspreis:
10.000 $
Auktionsarchiv: Los-Nr. 66

Henri Cartier-Bresson

Photographs
09.04.2011
Schätzpreis
7.000 $ - 9.000 $
Zuschlagspreis:
10.000 $
Beschreibung:

Henri Cartier-Bresson Calle Cuauhtemoctzin, Mexico City 1934 Gelatin silver print, printed 1980s. 11 3/4 x 17 5/8 in. (29.8 x 44.8 cm). Signed in ink and copyright credit blindstamp in the margin.
Provenance Bloomsbury London, 22 May 2008, lot 162 Literature Bulfinch Press, Tête à Tête: Portraits by Henri Cartier-Bresson pl. 30; Fuentes, Henri Cartier-Bresson Mexican Notebooks, p. 73; Galassi, Henri Cartier-Bresson The Early Work, cover and p. 130; Galassi, Henri Cartier-Bresson The Modern Century, p. 99; Harry N. Abrams, Inc., The New Vision: Photography between the World Wars, pl. 41; Montier, Henri Cartier-Bresson and the Artless Art, pl. 13 Artist Bio Henri Cartier-Bresson French • 1908 - 2004 Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition. Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. View More Works

Auktionsarchiv: Los-Nr. 66
Auktion:
Datum:
09.04.2011
Auktionshaus:
Phillips
New York
Beschreibung:

Henri Cartier-Bresson Calle Cuauhtemoctzin, Mexico City 1934 Gelatin silver print, printed 1980s. 11 3/4 x 17 5/8 in. (29.8 x 44.8 cm). Signed in ink and copyright credit blindstamp in the margin.
Provenance Bloomsbury London, 22 May 2008, lot 162 Literature Bulfinch Press, Tête à Tête: Portraits by Henri Cartier-Bresson pl. 30; Fuentes, Henri Cartier-Bresson Mexican Notebooks, p. 73; Galassi, Henri Cartier-Bresson The Early Work, cover and p. 130; Galassi, Henri Cartier-Bresson The Modern Century, p. 99; Harry N. Abrams, Inc., The New Vision: Photography between the World Wars, pl. 41; Montier, Henri Cartier-Bresson and the Artless Art, pl. 13 Artist Bio Henri Cartier-Bresson French • 1908 - 2004 Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition. Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. View More Works

Auktionsarchiv: Los-Nr. 66
Auktion:
Datum:
09.04.2011
Auktionshaus:
Phillips
New York
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