Brazil. Three views of Rio de Janeiro: Baie Don Manuel, Cale de débarquement; L'Ile des Couleuvres; & Les Noirs au Marché, by Adolphe d'Hastrel de Rivedoux (1805-1875), Paris, circa 1846, three hand-coloured lithographs, from the album Rio de Janeiro ou Souvenirs de Brésil, printed by Imprimerie Lemercier, Paris, some light spotting and stains to Baie Don Manuel, the largest view 30 x 43 cm, each framed and glazed, together with two other uncoloured lithograph views of Rio de Janeiro, from hand-coloured lithographs from Vaillant's Voyage autour du monde execute pendant les annees 1836 et 1837 sur la corvette La Bonite ..., Album historique (Paris, 1841-52) : Eglise de la Gloria, after Théodore Auguste Fisquet (1813-1890), and Vue de la Gabia a Rio de Janeiro, after Barthélemy Lauvergne (1805-1871), both framed and glazed (Qty: 5)
Brazil. Three views of Rio de Janeiro: Baie Don Manuel, Cale de débarquement; L'Ile des Couleuvres; & Les Noirs au Marché, by Adolphe d'Hastrel de Rivedoux (1805-1875), Paris, circa 1846, three hand-coloured lithographs, from the album Rio de Janeiro ou Souvenirs de Brésil, printed by Imprimerie Lemercier, Paris, some light spotting and stains to Baie Don Manuel, the largest view 30 x 43 cm, each framed and glazed, together with two other uncoloured lithograph views of Rio de Janeiro, from hand-coloured lithographs from Vaillant's Voyage autour du monde execute pendant les annees 1836 et 1837 sur la corvette La Bonite ..., Album historique (Paris, 1841-52) : Eglise de la Gloria, after Théodore Auguste Fisquet (1813-1890), and Vue de la Gabia a Rio de Janeiro, after Barthélemy Lauvergne (1805-1871), both framed and glazed (Qty: 5)
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