GOULD, John (1804-1881). The Birds of Great Britain. London: Taylor and Francis for the Author, [1862]-1873. 5 volumes. large 2° ( x mm). 5pp. subscribers' list. 367 FINE HAND-COLOURED LITHOGRAPHIC PLATES, most heightened with gum-arabic, by Gould, Henry Constantine Richter, Joseph Wolf and William Hart printed by Walter or Walter & Cohn, 2 wood-engraved illustrations. (Occasional light soiling to a few plates, 3 text leaves with marginal tears, in the case of the text leaf to the first plate in vol.III the 120mm. repaired tear extends into the text area.) Later green half-morocco gilt, t.e.g., by Sangorski & Sutcliffe. FIRST EDITION. A fine copy of "the most sumptuous and costly of the British bird books" (Mullens & Swann). Gould was especially proud of this work. The text is, of course, longer than in any of his other works and the illustrations, many of them prepared from freshly killed specimens, include many more depictions of chicks, nests and eggs. Wolf, who drew 57 of the plates, had accompanied Gould on and ornithological tour of Scandinavia in 1856, and was responsible for persuading Gould and Richter to adopt a livelier treatment of the illustrations. Sauer 23; Zimmer p.261; Fine Bird Books p.78; Wood p.365; Nissen IVB 372. (5)
GOULD, John (1804-1881). The Birds of Great Britain. London: Taylor and Francis for the Author, [1862]-1873. 5 volumes. large 2° ( x mm). 5pp. subscribers' list. 367 FINE HAND-COLOURED LITHOGRAPHIC PLATES, most heightened with gum-arabic, by Gould, Henry Constantine Richter, Joseph Wolf and William Hart printed by Walter or Walter & Cohn, 2 wood-engraved illustrations. (Occasional light soiling to a few plates, 3 text leaves with marginal tears, in the case of the text leaf to the first plate in vol.III the 120mm. repaired tear extends into the text area.) Later green half-morocco gilt, t.e.g., by Sangorski & Sutcliffe. FIRST EDITION. A fine copy of "the most sumptuous and costly of the British bird books" (Mullens & Swann). Gould was especially proud of this work. The text is, of course, longer than in any of his other works and the illustrations, many of them prepared from freshly killed specimens, include many more depictions of chicks, nests and eggs. Wolf, who drew 57 of the plates, had accompanied Gould on and ornithological tour of Scandinavia in 1856, and was responsible for persuading Gould and Richter to adopt a livelier treatment of the illustrations. Sauer 23; Zimmer p.261; Fine Bird Books p.78; Wood p.365; Nissen IVB 372. (5)
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