Gerda Wegener (b. Hammelev 1886, d. Frederiksberg 1940) “Le Chavalier de la Rose” (The Knight of the Rose (Lili in carnival costume)). Signed Gerda Wegener Paris, 1921; signed and titled on the stretcher. Oil on canvas. 138×76 cm. Exhibited: “Gerda Wegener”, ARKEN, Ishøj, 2015–16, cat. no. 75. Exhibited: “DES/ORDEN MORAL ... Arte y sexualidad en la Europe de entreguerras”, IVAM (Institut Valencia d'Art Modern), 2020–21. Provenance: The collection of Anne Ammitzbøll, Hellerup, Denmark. In 1921, Einar Wegener models for Gerda wearing an 18th-century costume with a shirt frill, feathered hat and coat inspired by a character from the comic opera “The Knight of the Rose” by Richard Strauss. Satire, romance and melancholy meets in a bitter-sweet story about the course of life. One of the leading roles, the just 17-year-old “Octavian”, is a so-called “trouser role” with the particular refinement that he (or she) has to act as a woman on several occasions. Gerda Wegener later paints several works of Lili in carnival costume – and Lili loves carnival! The masquerade offers a break with the norm, an opportunity to play with identity and roles, and only here she feels able to move freely in public before the gender-affirming surgery at the Frauenklinik in Dresden. “The Knight of the Rose” is the earliest known motif of Einar/Lili dressed in carnival costume. Einar Wegener writes about the work to his brother Henrik in 1922: “Dear Henrik, With my best wishes for a Merry Christmas, I am sending a photograph that I myself have enlarged and taken of a painting Gerda has painted of me (1921) in carnival costume. Your brother, Einar. Greetings from Gerda." Condition Condition report available on request. Request condition report
Condition
Gerda Wegener (b. Hammelev 1886, d. Frederiksberg 1940) “Le Chavalier de la Rose” (The Knight of the Rose (Lili in carnival costume)). Signed Gerda Wegener Paris, 1921; signed and titled on the stretcher. Oil on canvas. 138×76 cm. Exhibited: “Gerda Wegener”, ARKEN, Ishøj, 2015–16, cat. no. 75. Exhibited: “DES/ORDEN MORAL ... Arte y sexualidad en la Europe de entreguerras”, IVAM (Institut Valencia d'Art Modern), 2020–21. Provenance: The collection of Anne Ammitzbøll, Hellerup, Denmark. In 1921, Einar Wegener models for Gerda wearing an 18th-century costume with a shirt frill, feathered hat and coat inspired by a character from the comic opera “The Knight of the Rose” by Richard Strauss. Satire, romance and melancholy meets in a bitter-sweet story about the course of life. One of the leading roles, the just 17-year-old “Octavian”, is a so-called “trouser role” with the particular refinement that he (or she) has to act as a woman on several occasions. Gerda Wegener later paints several works of Lili in carnival costume – and Lili loves carnival! The masquerade offers a break with the norm, an opportunity to play with identity and roles, and only here she feels able to move freely in public before the gender-affirming surgery at the Frauenklinik in Dresden. “The Knight of the Rose” is the earliest known motif of Einar/Lili dressed in carnival costume. Einar Wegener writes about the work to his brother Henrik in 1922: “Dear Henrik, With my best wishes for a Merry Christmas, I am sending a photograph that I myself have enlarged and taken of a painting Gerda has painted of me (1921) in carnival costume. Your brother, Einar. Greetings from Gerda." Condition Condition report available on request. Request condition report
Condition
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