George Finch Mason (1850-1915)
'Hallo old boy'; The refusal (illustrated); and 'Too much familiarity breeds contemptory'
George Finch Mason (1850-1915) 'Hallo old boy'; The refusal (illustrated); and 'Too much familiarity breeds contemptory' the first inscribed 'Hallo Old Boy,/Back to the land, eh?' (lower right); the second signed 'Finch Mason' (lower left); the third signed 'Finch Mason' (lower left), inscribed as title and further extensively inscribed (lower centre) pencil, pen and brown ink, watercolour and bodycolour, one black ink, unframed 4½ x 11 in. (21.6 x 28 cm.); and 10½ x 14½ in. (26.7 x 36.9 cm.); and An unframed watercolour of a hunting scene for The Quarterly Review , March, 1834 by another hand (4)
George Finch Mason (1850-1915)
'Hallo old boy'; The refusal (illustrated); and 'Too much familiarity breeds contemptory'
George Finch Mason (1850-1915) 'Hallo old boy'; The refusal (illustrated); and 'Too much familiarity breeds contemptory' the first inscribed 'Hallo Old Boy,/Back to the land, eh?' (lower right); the second signed 'Finch Mason' (lower left); the third signed 'Finch Mason' (lower left), inscribed as title and further extensively inscribed (lower centre) pencil, pen and brown ink, watercolour and bodycolour, one black ink, unframed 4½ x 11 in. (21.6 x 28 cm.); and 10½ x 14½ in. (26.7 x 36.9 cm.); and An unframed watercolour of a hunting scene for The Quarterly Review , March, 1834 by another hand (4)
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
