♡ EVELINE SYME (1888-1961) The Elvet Bridge, Durham c.1936 wood-engraving, ed. 8/50 titled, editioned, and signed in pencil below image 15 x 10cm PROVENANCE: Important Women Artists, Jim Alexander Gallery, Melbourne c.1977 Private collection, Melbourne Thence by descent EXHIBITIONS: Linocuts and Wood Engravings by E. W. Syme (in Aid of the Appeal for Funds to Establish a Unversity Women's College), Arts and Crafts Society's Gallery, Melbourne, 5-16 May 1936, cat. no 16 (another example) The Printmakers: Mainly of the Thirties, Important Women Artists Gallery, Melbourne, 11 September - 30 October 1977, cat. no. 29 Etchings, Lithographs, Linocuts, Wood-Engravings, Aquatints, Etc.: 1867 to 1946: Australian, European and English, Joshua McClelland Print Room, Melbourne, 29 July - 15 August 1980, cat. no. 34 (another example) Australian Graphics 1917-1989, Coonara Gallery, Victoria, 14 April - 26 May 1996, cat. no. 47 (another example) LITERATURE: Lino Cuts and Wood Engravings in Exhibition, The Herald, Melbourne, 5 May 1936, p. 8 (illus. another example) Coppel, S., Linocuts of the Machine Age: Claude Flight and the Grosvenor School, Scolar Press in association with the National Gallery of Australia, Aldershot, 1995, p. 189 OTHER NOTES: We would like to thank John Keats for his kind assistance in cataloguing this work. Estimate $1,500-2,000 Condition: Overall in good condition. Upon close inspection the black pigment has not transferred fully, revealing the black underground of the paper. This work has not been examined out of its frame. Framed size 28 x 22cm. The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications. Absentee bid Telephone bid Bid on Multiple Lots Bid Live Online Request a condition report
♡ EVELINE SYME (1888-1961) The Elvet Bridge, Durham c.1936 wood-engraving, ed. 8/50 titled, editioned, and signed in pencil below image 15 x 10cm PROVENANCE: Important Women Artists, Jim Alexander Gallery, Melbourne c.1977 Private collection, Melbourne Thence by descent EXHIBITIONS: Linocuts and Wood Engravings by E. W. Syme (in Aid of the Appeal for Funds to Establish a Unversity Women's College), Arts and Crafts Society's Gallery, Melbourne, 5-16 May 1936, cat. no 16 (another example) The Printmakers: Mainly of the Thirties, Important Women Artists Gallery, Melbourne, 11 September - 30 October 1977, cat. no. 29 Etchings, Lithographs, Linocuts, Wood-Engravings, Aquatints, Etc.: 1867 to 1946: Australian, European and English, Joshua McClelland Print Room, Melbourne, 29 July - 15 August 1980, cat. no. 34 (another example) Australian Graphics 1917-1989, Coonara Gallery, Victoria, 14 April - 26 May 1996, cat. no. 47 (another example) LITERATURE: Lino Cuts and Wood Engravings in Exhibition, The Herald, Melbourne, 5 May 1936, p. 8 (illus. another example) Coppel, S., Linocuts of the Machine Age: Claude Flight and the Grosvenor School, Scolar Press in association with the National Gallery of Australia, Aldershot, 1995, p. 189 OTHER NOTES: We would like to thank John Keats for his kind assistance in cataloguing this work. Estimate $1,500-2,000 Condition: Overall in good condition. Upon close inspection the black pigment has not transferred fully, revealing the black underground of the paper. This work has not been examined out of its frame. Framed size 28 x 22cm. The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications. Absentee bid Telephone bid Bid on Multiple Lots Bid Live Online Request a condition report
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