Beschreibung:

♡ EVELINE SYME (1888-1961) The Castle Chapel, Amboise c.1920s woodcut, ed. 21/50 signed, titled and editioned in pencil below image: The Castle Chapel, Amboise. 21/50 E.W.Syme. 10 x 14cm PROVENANCE: Private collection, South Australia EXHIBITIONS: Water Colours and Woodcuts by E.W. Syme, Athenaeum Gallery, Melbourne, 6-17 March 1928, cat. 50 (another impression) The Printmakers: Mainly of the Thirties, Important Women Artists [Gallery], Melbourne, 11 September - 30 October 1977, cat. 31 (another impression); A Selection of Woodcuts and Linocuts by Napier Waller and Other Melbourne Artists, Deutscher Galleries, Melbourne, 18 August - 3 September 1978, no. 40 (illus. exhibition catalogue, another impression) Watercolours, Drawings, Etchings, Linocuts, Lithographs & Early Australian Prints, Joshua McClelland Print Room, Melbourne, opened 26 February 1993, no. 49 (another impression) Intrepid Women: Australian Women Artists in Paris 1900-1950, S.H. Ervin Gallery, Sydney, 1 December 2017 - 25 March 2018 (another impression) LITERATURE: Manuscripts: The Book Nook Miscellany, The Book Nook, Geelong, no. 2, June 1932, p. 119 (illus., another impression) 'Exhibition of Linocuts', The Age, Melbourne, 5 May 1936, p. 9 Draffin, N., Australian Woodcuts and Linocuts of the 1920s and 1930s, Sun Academy Series, Melbourne, 1976, pp. 14, 72 (illus. another impression); Coppel, S., Linocuts of the Machine Age: Claude Flight and the Grosvenor School, Scolar Press in association with the National Gallery of Australia, Aldershot, 1995, p. 189, cat. ESy A/2 (another impresson) Brown, P. (ed.), Crombie, I. (foreword), Harkness, A. (intro), Grey, A., Jordan, C., Hooper, J. (contrib.), Modern Australian Women Artists: The Andrée Harkness Collection, Amaled, Melbourne, 2020, pp. 182 (illus. another impression), 236 OTHER NOTES: Eveline was an avid traveller, spending copious amounts of time abroad both for leisure and building on her practice. Syme studied at La Grande Chaumiere, France, between 1922-1923. It was during this period that she created The Castle Chapel, Amboise. We would like to thank John Keats for his kind assistance in cataloguing this work. Estimate $1,800-2,500 Condition: Overall in good condition. The border of the woodcut on the upper edge reveals a printing flaw, inherent to the work. This work has not been examined out of the frame. Overall framed size 31 x 42cm. The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications. Absentee bid Telephone bid Bid on Multiple Lots Bid Live Online Request a condition report