5 PROPERTY FROM A PROMINENT PRIVATE FRENCH COLLECTION Émile-Jacques Ruhlmann 'Tivo' side chair, model no. 29AR/57NR circa 1925 Amaranth-veneered wood, leather, ivory. 67.8 x 38.7 x 51.7 cm (26 3/4 x 15 1/4 x 20 3/8 in.)
Provenance Galerie Anne-Sophie Duval, Paris Acquired from the above by the present owner, 1980s Literature Florence Camard, Ruhlmann: Master of Art Deco, New York, 1984, pp. 99, 181 Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: un genie de l’art déco, exh. cat., Musée des Années 30, Paris, 2001, pp. 162, 218 for an image and a drawing Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: Genius of Art Deco, exh. cat., Musée des Années 30, Paris, 2004, pp. 47, 179, 188 Florence Camard, Jacques-Émile Ruhlmann, New York, 2011, pp. 124, 140 Catalogue Essay The drawing for the present chair design is recorded in the reference album 'Sièges, lits, guéridons, tables', (inventory number 2002. 18. 12) held by the Ruhlmann Archives at the Musée des Années Trente, Boulogne Billancourt, Paris. Read More
5 PROPERTY FROM A PROMINENT PRIVATE FRENCH COLLECTION Émile-Jacques Ruhlmann 'Tivo' side chair, model no. 29AR/57NR circa 1925 Amaranth-veneered wood, leather, ivory. 67.8 x 38.7 x 51.7 cm (26 3/4 x 15 1/4 x 20 3/8 in.)
Provenance Galerie Anne-Sophie Duval, Paris Acquired from the above by the present owner, 1980s Literature Florence Camard, Ruhlmann: Master of Art Deco, New York, 1984, pp. 99, 181 Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: un genie de l’art déco, exh. cat., Musée des Années 30, Paris, 2001, pp. 162, 218 for an image and a drawing Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: Genius of Art Deco, exh. cat., Musée des Années 30, Paris, 2004, pp. 47, 179, 188 Florence Camard, Jacques-Émile Ruhlmann, New York, 2011, pp. 124, 140 Catalogue Essay The drawing for the present chair design is recorded in the reference album 'Sièges, lits, guéridons, tables', (inventory number 2002. 18. 12) held by the Ruhlmann Archives at the Musée des Années Trente, Boulogne Billancourt, Paris. Read More
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