DescriptionA sancai-glazed 'phoenix and equestrian' ewerTang dynasty唐 三彩鳳首壺
Height 33 cm, 13 in.Condition reportSome scattered flakes overall, notably to the body of the vase (the largest ca. 0.8 x 1 cm, which has been overpainted). A few small chips to the rim and the foot.通體有少許剝落，尤見壺身，最大約0.8x1公分，曾經補釉。口沿、足部有個別小磕。
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." 我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您向其他專業修復人員索取諮詢，以獲得更詳盡、專業之報告。 準買家應該檢查每款拍品以確認其狀況，蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知（見圖錄）。 雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。ProvenanceSotheby's London, 2nd March 1971, lot 119.The Toguri Collection.Sotheby's London, 9th June 2004, lot 73.
倫敦蘇富比1971年3月2日，編號119 戸栗美術館收藏 倫敦蘇富比2004年6月9日，編號73Catalogue noteModelled in the form of a Sasanian metal ewer and applied with Hellenistic-inspired decoration, this ewer embodies the commercial and cultural exchange that characterises the art of the early Tang dynasty. Margaret Medley in Metalwork and Chinese Ceramics, London, 1972 (p. 4), discusses the far-reaching effect on Tang potters of the opening of diplomatic relations between the Chinese Emperor Yangdi of the Sui dynasty (581-618) and the Sasanian Persian Empire (224-651), which led to the exchange of tributary gifts as well as the arrival of Persian craftsmen at the Imperial court in the Tang capital Chang'an (today's Xi'an, Shaanxi).
Compare two ewers of this model included in the Illustrated Catalogues of Tokyo National Museum: Chinese Ceramics, vol. I, Tokyo, 1988, pls. 220 and 221; and another in the Museum of Far Eastern Antiquities, Stockholm, illustrated in The World's Great Collections: Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 23.
DescriptionA sancai-glazed 'phoenix and equestrian' ewerTang dynasty唐 三彩鳳首壺
Height 33 cm, 13 in.Condition reportSome scattered flakes overall, notably to the body of the vase (the largest ca. 0.8 x 1 cm, which has been overpainted). A few small chips to the rim and the foot.通體有少許剝落，尤見壺身，最大約0.8x1公分，曾經補釉。口沿、足部有個別小磕。
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." 我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您向其他專業修復人員索取諮詢，以獲得更詳盡、專業之報告。 準買家應該檢查每款拍品以確認其狀況，蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知（見圖錄）。 雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。ProvenanceSotheby's London, 2nd March 1971, lot 119.The Toguri Collection.Sotheby's London, 9th June 2004, lot 73.
倫敦蘇富比1971年3月2日，編號119 戸栗美術館收藏 倫敦蘇富比2004年6月9日，編號73Catalogue noteModelled in the form of a Sasanian metal ewer and applied with Hellenistic-inspired decoration, this ewer embodies the commercial and cultural exchange that characterises the art of the early Tang dynasty. Margaret Medley in Metalwork and Chinese Ceramics, London, 1972 (p. 4), discusses the far-reaching effect on Tang potters of the opening of diplomatic relations between the Chinese Emperor Yangdi of the Sui dynasty (581-618) and the Sasanian Persian Empire (224-651), which led to the exchange of tributary gifts as well as the arrival of Persian craftsmen at the Imperial court in the Tang capital Chang'an (today's Xi'an, Shaanxi).
Compare two ewers of this model included in the Illustrated Catalogues of Tokyo National Museum: Chinese Ceramics, vol. I, Tokyo, 1988, pls. 220 and 221; and another in the Museum of Far Eastern Antiquities, Stockholm, illustrated in The World's Great Collections: Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 23.
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.jpg "Quelle: Christie's")
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