Objektsbeskrivning DAHLBERG, ERIK. Suecia antiqua et hodierna. I-III + Index. C. 1660-1718. Oblong folio. With 13-page index at the end. 354 engraved plates (all, including the extra plate Templum Ulricae Eleonorae, small plates mounted on somewhat later paper or joined together, almost all others on whole paper, a few marginal tears, some creasing, about 40 plates dampstained in lower margin, minor foxing, a few yellowed). Contemporary brown full leather, worn, cracks in the joints, gilt faded and worn spine in six compartments, mended at head and foot, marbled edges. During his military service and studies in Germany, Erik Dahlberg (16251703) became acquainted with Matthaeus Merian the younger, the publisher of "Theatrum Europaeum" and the "Topographies". On his return to Sweden in 1661, Dahlberg obtained a privilege from the Government to make drawings for a similar publication. The engravings for this work were executed from these drawings by a total of 18 artists except for a few, which were based on drawings by David Klöcker Ehrenstrahl and Elias Brenner The project began in 1667, when a number of plates were engraved by Nicolas and Adam Perelle Jean Marot Jean Le Pautre and F. Campion in Paris. Dionysius Padt Brugge engraved 9 plates in Stockholm 1686-87. In 1687 Dahlberg approached another Dutch engraver, Willem Swidde who produced 84 plates together with Erik Reitz and Martin Mytens After Padt Brugge's death, in 1696, he was succeeded by Johannes Van den Aveelen, who came to Stockholm in 1698. He made no less than 144 engravings. Samuel von Blesendorf in Berlin was employed for the portraits, among other things.Collijn, Sveriges Bibliografi, 1600-talet, col. 197. Berlin Cat. 1, 2256. Gustaf Edvard Klemming, Ur en antecknares samlingar, Uppsala 1880-82, pp. 165-8. Sten G. Lindberg, Swedish Books, 37.
Objektsbeskrivning DAHLBERG, ERIK. Suecia antiqua et hodierna. I-III + Index. C. 1660-1718. Oblong folio. With 13-page index at the end. 354 engraved plates (all, including the extra plate Templum Ulricae Eleonorae, small plates mounted on somewhat later paper or joined together, almost all others on whole paper, a few marginal tears, some creasing, about 40 plates dampstained in lower margin, minor foxing, a few yellowed). Contemporary brown full leather, worn, cracks in the joints, gilt faded and worn spine in six compartments, mended at head and foot, marbled edges. During his military service and studies in Germany, Erik Dahlberg (16251703) became acquainted with Matthaeus Merian the younger, the publisher of "Theatrum Europaeum" and the "Topographies". On his return to Sweden in 1661, Dahlberg obtained a privilege from the Government to make drawings for a similar publication. The engravings for this work were executed from these drawings by a total of 18 artists except for a few, which were based on drawings by David Klöcker Ehrenstrahl and Elias Brenner The project began in 1667, when a number of plates were engraved by Nicolas and Adam Perelle Jean Marot Jean Le Pautre and F. Campion in Paris. Dionysius Padt Brugge engraved 9 plates in Stockholm 1686-87. In 1687 Dahlberg approached another Dutch engraver, Willem Swidde who produced 84 plates together with Erik Reitz and Martin Mytens After Padt Brugge's death, in 1696, he was succeeded by Johannes Van den Aveelen, who came to Stockholm in 1698. He made no less than 144 engravings. Samuel von Blesendorf in Berlin was employed for the portraits, among other things.Collijn, Sveriges Bibliografi, 1600-talet, col. 197. Berlin Cat. 1, 2256. Gustaf Edvard Klemming, Ur en antecknares samlingar, Uppsala 1880-82, pp. 165-8. Sten G. Lindberg, Swedish Books, 37.
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