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Auktionsarchiv: Los-Nr. 8

Cindy Sherman

Schätzpreis
300.000 $ - 500.000 $
Zuschlagspreis:
389.000 $
Auktionsarchiv: Los-Nr. 8

Cindy Sherman

Schätzpreis
300.000 $ - 500.000 $
Zuschlagspreis:
389.000 $
Beschreibung:

Cindy Sherman Untitled #470 2008 chromogenic color print, in artist's frame image 85 1/4 x 58 in. (216.5 x 147.3 cm) frame 90 1/4 x 63 in. (229.2 x 160 cm) Signed, numbered and dated "Cindy Sherman 3/6 2008" on the reverse. This work is number 3 from an edition of 6. Another work from the edition is in the collection of the Moderna Museet, Stockholm.
Provenance Sprüth Magers, London Private Collection, Europe Exhibited New York, Metro Pictures, Cindy Sherman November 15 - December 23, 2008 (another example exhibited) Berlin, Sprüth Magers Berlin, Cindy Sherman February 18 - April 18, 2009 (another example exhibited) London, Sprüth Magers London, Cindy Sherman April 16 - May 27, 2009 (another example exhibited) Rome, Gagosian Gallery, Cindy Sherman June 7 - October 8, 2009 (another example exhibited) Munich, Museum Villa Stuck, Street Life and Home Stories: Fotografien aus der Sammlung Goetz, June 1 - September 11, 2011 (another example exhibited) Zurich, Kunsthaus Zurich, Riotous Baroque: From Cattelan to Zurbarán - Tributes of Precarious Vitality, June 1 – September 2, 2012 (another example exhibited) New York, Museum of Modern Art, Cindy Sherman A Retrospective, February 26 – June 11, 2012, then traveled to San Francisco, San Francisco Museum of Modern Art (July 14–October 7, 2012), Minneapolis, Walker Art Center and Dallas (November 10, 2012–February 17, 2013), Dallas, Dallas Museum of Art (March 17 – June 9, 2013) (another example exhibited) Oslo, Astrup Fearnley Museet, Cindy Sherman Untitled Horrors, May 4 – September 22, 2013, then traveled to Stockholm, Moderna Museet (October 19, 2013 – January 19, 2014), Zürich, Kunsthaus Zurich (June 6 - September 14, 2014) (another example exhibited) Munich, Sammlung Goetz, Cindy Sherman January 29 - July 18, 2015 (another example exhibited) Literature Cindy Sherman exh. cat., Metro Pictures, New York, Sprüth Magers, Berlin, 2009, n.p., cover (illustrated) Street Life and Home Stories: Fotografien aus der Sammlung Goetz, exh. cat., Museum Villa Stuck, Munich, 2011, p. 171 (illustrated) Riotous Baroque: From Cattelan to Zurbarán - Tributes of Precarious Vitality, exh. cat., Kunsthaus Zurich, Zurich, 2012, p. 167, p. 133 (illustrated) E. Respini, J. Burton, Cindy Sherman exh. cat., Museum of Modern Art, New York, 2012, pl. 167, p. 222 (illustrated) R. Smith "Photography's Angel Provocateur: 'Cindy Sherman' at Museum of Modern Art," The New York Times, February 23, 2012, p. C25 (illustrated) E. Heartley, H. Posner, N. Princenthal and S. Scott, After the Revolution: Women Who Transformed Art, New York, 2013, p. 195 (illustrated) P. Moorhouse, Cindy Sherman London: Phaidon, 2014, no. 113, p. 140 (illustrated) Cindy Sherman Untitled Horrors, exh. cat., Astrup Fearnley Museet, Oslo, 2014, p. 213 (illustrated) Cindy Sherman exh. cat., Sammlung Goetz, Munich, 2015, pp. 151, 156, 174 (illustrated) Catalogue Essay “I don't think I can see the world through other people's eyes, but I can capture an attitude or a look that makes others think I can.” Cindy Sherman 2008 From her 1970s Film Stills to these monumental portraits of society’s finest women, Cindy Sherman the master of disguise, pursues a life-long exploration into the very nature of identity. This late series, known as the Society Portraits, depicts aging socialites, the wives of wealthy and powerful men, bedecked and adorned in their finest clothes and jewelry. They appear before faux royal backdrops, some against ascending Versailles-like staircases, others upon velvet cloaked settees. Roberta Smith describes the series as “stark, monumental society portraits of heavily made up, quietly desperate matrons of a certain age.” (R. Smith “Photography’s Angel Provocateur: Cindy Sherman at Museum of Modern Art,” The New York Times, February 23, 2012). Donned in silk dresses, furs, and pearls, these women stand within luxurious spaces, their makeup heavily applied to hide their wrinkles; Sherman slyly comments on the inevitable signs of aging and the human impulse to disguise the ravages of time. Over the past three decades, Sherman has transformed herself into many characters, including the film star, the secretary, the housewife, the bohemian, and the Old Master portrait subject. Her photographs set a scene with each article of clothing or prop carefully selected as a

Auktionsarchiv: Los-Nr. 8
Auktion:
Datum:
14.05.2015
Auktionshaus:
Phillips
New York
Beschreibung:

Cindy Sherman Untitled #470 2008 chromogenic color print, in artist's frame image 85 1/4 x 58 in. (216.5 x 147.3 cm) frame 90 1/4 x 63 in. (229.2 x 160 cm) Signed, numbered and dated "Cindy Sherman 3/6 2008" on the reverse. This work is number 3 from an edition of 6. Another work from the edition is in the collection of the Moderna Museet, Stockholm.
Provenance Sprüth Magers, London Private Collection, Europe Exhibited New York, Metro Pictures, Cindy Sherman November 15 - December 23, 2008 (another example exhibited) Berlin, Sprüth Magers Berlin, Cindy Sherman February 18 - April 18, 2009 (another example exhibited) London, Sprüth Magers London, Cindy Sherman April 16 - May 27, 2009 (another example exhibited) Rome, Gagosian Gallery, Cindy Sherman June 7 - October 8, 2009 (another example exhibited) Munich, Museum Villa Stuck, Street Life and Home Stories: Fotografien aus der Sammlung Goetz, June 1 - September 11, 2011 (another example exhibited) Zurich, Kunsthaus Zurich, Riotous Baroque: From Cattelan to Zurbarán - Tributes of Precarious Vitality, June 1 – September 2, 2012 (another example exhibited) New York, Museum of Modern Art, Cindy Sherman A Retrospective, February 26 – June 11, 2012, then traveled to San Francisco, San Francisco Museum of Modern Art (July 14–October 7, 2012), Minneapolis, Walker Art Center and Dallas (November 10, 2012–February 17, 2013), Dallas, Dallas Museum of Art (March 17 – June 9, 2013) (another example exhibited) Oslo, Astrup Fearnley Museet, Cindy Sherman Untitled Horrors, May 4 – September 22, 2013, then traveled to Stockholm, Moderna Museet (October 19, 2013 – January 19, 2014), Zürich, Kunsthaus Zurich (June 6 - September 14, 2014) (another example exhibited) Munich, Sammlung Goetz, Cindy Sherman January 29 - July 18, 2015 (another example exhibited) Literature Cindy Sherman exh. cat., Metro Pictures, New York, Sprüth Magers, Berlin, 2009, n.p., cover (illustrated) Street Life and Home Stories: Fotografien aus der Sammlung Goetz, exh. cat., Museum Villa Stuck, Munich, 2011, p. 171 (illustrated) Riotous Baroque: From Cattelan to Zurbarán - Tributes of Precarious Vitality, exh. cat., Kunsthaus Zurich, Zurich, 2012, p. 167, p. 133 (illustrated) E. Respini, J. Burton, Cindy Sherman exh. cat., Museum of Modern Art, New York, 2012, pl. 167, p. 222 (illustrated) R. Smith "Photography's Angel Provocateur: 'Cindy Sherman' at Museum of Modern Art," The New York Times, February 23, 2012, p. C25 (illustrated) E. Heartley, H. Posner, N. Princenthal and S. Scott, After the Revolution: Women Who Transformed Art, New York, 2013, p. 195 (illustrated) P. Moorhouse, Cindy Sherman London: Phaidon, 2014, no. 113, p. 140 (illustrated) Cindy Sherman Untitled Horrors, exh. cat., Astrup Fearnley Museet, Oslo, 2014, p. 213 (illustrated) Cindy Sherman exh. cat., Sammlung Goetz, Munich, 2015, pp. 151, 156, 174 (illustrated) Catalogue Essay “I don't think I can see the world through other people's eyes, but I can capture an attitude or a look that makes others think I can.” Cindy Sherman 2008 From her 1970s Film Stills to these monumental portraits of society’s finest women, Cindy Sherman the master of disguise, pursues a life-long exploration into the very nature of identity. This late series, known as the Society Portraits, depicts aging socialites, the wives of wealthy and powerful men, bedecked and adorned in their finest clothes and jewelry. They appear before faux royal backdrops, some against ascending Versailles-like staircases, others upon velvet cloaked settees. Roberta Smith describes the series as “stark, monumental society portraits of heavily made up, quietly desperate matrons of a certain age.” (R. Smith “Photography’s Angel Provocateur: Cindy Sherman at Museum of Modern Art,” The New York Times, February 23, 2012). Donned in silk dresses, furs, and pearls, these women stand within luxurious spaces, their makeup heavily applied to hide their wrinkles; Sherman slyly comments on the inevitable signs of aging and the human impulse to disguise the ravages of time. Over the past three decades, Sherman has transformed herself into many characters, including the film star, the secretary, the housewife, the bohemian, and the Old Master portrait subject. Her photographs set a scene with each article of clothing or prop carefully selected as a

Auktionsarchiv: Los-Nr. 8
Auktion:
Datum:
14.05.2015
Auktionshaus:
Phillips
New York
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