Charles Meryon (French, 1821-1868) Two Prints: La Tour de L'Horloge , 1852, probably from the seventh state of ten (Schneiderman, 23vii; Delteil, 28) on chine collé; and Saint-Étienne-du-Mont , 1852, final state of eight, edition of 30, printed in 1861 (S., 25; D., 30) on laid Hudelist paper with watermark. Both identified within the plate. Etchings, plate sizes to 10 3/8 x 7 1/4 in. (26.2 x 18.3 cm), matted, unframed. Condition: Both with pencil annotations to lower margin and/or verso, Tour with even toning to supporting sheet, Saint-Étienne with wide margins, pale mat burn, and gentle light-staining.
Charles Meryon (French, 1821-1868) Two Prints: La Tour de L'Horloge , 1852, probably from the seventh state of ten (Schneiderman, 23vii; Delteil, 28) on chine collé; and Saint-Étienne-du-Mont , 1852, final state of eight, edition of 30, printed in 1861 (S., 25; D., 30) on laid Hudelist paper with watermark. Both identified within the plate. Etchings, plate sizes to 10 3/8 x 7 1/4 in. (26.2 x 18.3 cm), matted, unframed. Condition: Both with pencil annotations to lower margin and/or verso, Tour with even toning to supporting sheet, Saint-Étienne with wide margins, pale mat burn, and gentle light-staining.
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