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Auktionsarchiv: Los-Nr. 76

CECILIA EDEFALK, född 1954, Mannen med handen

Schätzpreis
400.000 SEK - 500.000 SEK
ca. 56.673 $ - 70.841 $
Zuschlagspreis:
420.000 SEK
ca. 59.506 $
Auktionsarchiv: Los-Nr. 76

CECILIA EDEFALK, född 1954, Mannen med handen

Schätzpreis
400.000 SEK - 500.000 SEK
ca. 56.673 $ - 70.841 $
Zuschlagspreis:
420.000 SEK
ca. 59.506 $
Beschreibung:

CECILIA EDEFALK född 1954 Mannen med handen (Man Who Crossed The Sea) Signerad och daterad på baksidan Cecilia Edefalk 1990. Olja på två sammanfogade dukar, totalt 94,5 x 90 cm. Signed and dated verso. Oil on canvas. PROVENIENS Galleri Thomas Wallner, Malmö UTSTÄLLD Cecilia Edefalk, Jan Håfström Irish Museum of Modern Art, 1992 Utan titel, Ystads konstmuseum, 2010 LITTERATUR Irish Museum of Modern Art: Cecilia Edefalk, 1992, sid 42-43 " I have often thought that I would like to paint in a way that makes the very peculiarity of painting explicit in itself. In order to do so, I must know what the act means to me. To gain such an insight involves losing something: I must be prepared to lose an illusion in order to gain something else. My position is one where I am observing and being observed at the same time. A vacuum arises where these two states overlap: the result is the contortion of that space. Ur: Cecilia Edefalk, Stockholm 9.2.1992, Cecilia Edefalk, Irish Museum of Modern Art, 1992

Auktionsarchiv: Los-Nr. 76
Auktion:
Datum:
29.09.2010
Auktionshaus:
Stockholms Auktionsverk
Nybrogatan 32
? Stockholm
Schweden
info@auktionsverket.se
+46 (0)8 4536750
+46 (0)8 242407
Beschreibung:

CECILIA EDEFALK född 1954 Mannen med handen (Man Who Crossed The Sea) Signerad och daterad på baksidan Cecilia Edefalk 1990. Olja på två sammanfogade dukar, totalt 94,5 x 90 cm. Signed and dated verso. Oil on canvas. PROVENIENS Galleri Thomas Wallner, Malmö UTSTÄLLD Cecilia Edefalk, Jan Håfström Irish Museum of Modern Art, 1992 Utan titel, Ystads konstmuseum, 2010 LITTERATUR Irish Museum of Modern Art: Cecilia Edefalk, 1992, sid 42-43 " I have often thought that I would like to paint in a way that makes the very peculiarity of painting explicit in itself. In order to do so, I must know what the act means to me. To gain such an insight involves losing something: I must be prepared to lose an illusion in order to gain something else. My position is one where I am observing and being observed at the same time. A vacuum arises where these two states overlap: the result is the contortion of that space. Ur: Cecilia Edefalk, Stockholm 9.2.1992, Cecilia Edefalk, Irish Museum of Modern Art, 1992

Auktionsarchiv: Los-Nr. 76
Auktion:
Datum:
29.09.2010
Auktionshaus:
Stockholms Auktionsverk
Nybrogatan 32
? Stockholm
Schweden
info@auktionsverket.se
+46 (0)8 4536750
+46 (0)8 242407
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