Premium-Seiten ohne Registrierung:

Auktionsarchiv: Los-Nr. 4

, by Pierre Michel; subsequently with C

Schätzpreis
40.000 $ - 60.000 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 4

, by Pierre Michel; subsequently with C

Schätzpreis
40.000 $ - 60.000 $
Zuschlagspreis:
n. a.
Beschreibung:

, by Pierre Michel; subsequently with C. G. Boerner, Düsseldorf, 2014. A superb, richly-inked impression of this extremely scarce, early Italian Renaissance engraving. Mantegna (1431-1506) likely based this scene, the left half of a 2 part horizontal composition created on separate plates, on an antique Roman relief, possibly a relief fragment in the Villa Medici, Rome, which appears to have been well known by Italian Renaissance artists. As Levenson, Oberhuber and Sheehan note, "The Battle probably represents a Renaissance invenzione based on classical ideals . . . The subject centers around an emaciated woman holding the tablet at the left, who clearly represents the vice of Envy, a theme in which Mantegna seems to have been quite interested," ( Early Italian Engravings from the National Gallery of Art , Washington, D.C., 1973, pages 188 and 192). Another basis for the idea of the scene could be the famous description of a storm at sea at the beginning of Virgil's Aeneid (like Mantegna, Virgil was also a native of Mantua). Bartsch 18; Hind 5.

Auktionsarchiv: Los-Nr. 4
Auktion:
Datum:
02.05.2019
Auktionshaus:
Swann Galleries, Inc.
104 East 25th Street
New York, NY 10010
Vereinigte Staaten von Amerika
swann@swanngalleries.com
+1 (0)212 2544710
+1 (0)212 9791017
Beschreibung:

, by Pierre Michel; subsequently with C. G. Boerner, Düsseldorf, 2014. A superb, richly-inked impression of this extremely scarce, early Italian Renaissance engraving. Mantegna (1431-1506) likely based this scene, the left half of a 2 part horizontal composition created on separate plates, on an antique Roman relief, possibly a relief fragment in the Villa Medici, Rome, which appears to have been well known by Italian Renaissance artists. As Levenson, Oberhuber and Sheehan note, "The Battle probably represents a Renaissance invenzione based on classical ideals . . . The subject centers around an emaciated woman holding the tablet at the left, who clearly represents the vice of Envy, a theme in which Mantegna seems to have been quite interested," ( Early Italian Engravings from the National Gallery of Art , Washington, D.C., 1973, pages 188 and 192). Another basis for the idea of the scene could be the famous description of a storm at sea at the beginning of Virgil's Aeneid (like Mantegna, Virgil was also a native of Mantua). Bartsch 18; Hind 5.

Auktionsarchiv: Los-Nr. 4
Auktion:
Datum:
02.05.2019
Auktionshaus:
Swann Galleries, Inc.
104 East 25th Street
New York, NY 10010
Vereinigte Staaten von Amerika
swann@swanngalleries.com
+1 (0)212 2544710
+1 (0)212 9791017
LotSearch ausprobieren

Testen Sie LotSearch und seine Premium-Features 7 Tage - ohne Kosten!

  • Auktionssuche und Bieten
  • Preisdatenbank und Analysen
  • Individuelle automatische Suchaufträge
Jetzt einen Suchauftrag anlegen!

Lassen Sie sich automatisch über neue Objekte in kommenden Auktionen benachrichtigen.

Suchauftrag anlegen