Borghini, Raffaello IL RIPOSO DI RAFFAELLO BORGHINI: IN CUI DELLA PITTURA, E DELLA SCULTURA SI FAVELLA, DE' PIU ILLUSTRI PITTORI, E SCULTORI, ET DELLE PIU FAMOSE OPERE LORO SI FA MENTIONE... FLORENCE: GIORGIO MARESCOTTI, 1584, FULL-PAGE WOODCUT ON *2 VERSO, FULL-PAGE WOODCUT SLIGHTLY SHAVED GALLETTI, Enea. Universalis historia ab exordio mundi, usque ad invictissimi Hispaniarum Regis Quinti semper Augusti extremum diem. Florence: Giorgio Marescotti, 1583 PORTA, Francesco. La visione. Florence: Giorgio Marescotti, 1578 (1577), woodcut device below colophon 3 works in one volume, 8vo (159 x 105mm.), woodcut device on title-pages, woodcut initials, head- and tailpieces, contemporary limp vellum, spine lettered in manuscript, blue edges, remains of two pairs of alum-tawed ties, occasional light foxing
Borghini, Raffaello IL RIPOSO DI RAFFAELLO BORGHINI: IN CUI DELLA PITTURA, E DELLA SCULTURA SI FAVELLA, DE' PIU ILLUSTRI PITTORI, E SCULTORI, ET DELLE PIU FAMOSE OPERE LORO SI FA MENTIONE... FLORENCE: GIORGIO MARESCOTTI, 1584, FULL-PAGE WOODCUT ON *2 VERSO, FULL-PAGE WOODCUT SLIGHTLY SHAVED GALLETTI, Enea. Universalis historia ab exordio mundi, usque ad invictissimi Hispaniarum Regis Quinti semper Augusti extremum diem. Florence: Giorgio Marescotti, 1583 PORTA, Francesco. La visione. Florence: Giorgio Marescotti, 1578 (1577), woodcut device below colophon 3 works in one volume, 8vo (159 x 105mm.), woodcut device on title-pages, woodcut initials, head- and tailpieces, contemporary limp vellum, spine lettered in manuscript, blue edges, remains of two pairs of alum-tawed ties, occasional light foxing
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