BOOK OF HOURS, in Latin, ILLUMINATED MANUSCRIPT ON VELLUM, [Amiens, or North-Eastern France, circa 1300] 20 leaves only, 120x84mm, 11 lines, justification 63x46mm, written in black ink in a gothic textura, rubrics in red, initials in gold or blue, with penwork flourishing, 14 two-line initials in gold, red or blue on contrasting ground with white tracery, inhabited mostly by human heads and rabbits, line-fillers in blue, white and gold, 14 three-quarter cusped baguette borders, ornamented with dragons and drolleries of jugglers, fools, monks, noble ladies and grotesques. 2 SIX-LINE HISTORIATED INITIALS, with full cusped bar borders, decorated with gold, and supporting various animals, monkeys fighting, rabbits and dogs TEXT: The fragment comprises 8 leaves from Prime (complete); 6 leaves from Compline (lacking the end); 6 leaves from Penitential Psalms and Litany. It seems likely that the Hours are for the use of Amiens, St.Omer or Arras. ILLUMINATION: The two extant historiated initials show (1) The Nativity. A very finely executed round 'D', the Virgin lying in bed, a sitting Joseph at her side asleep, two asses looking over a gothic brick wall, on burnished gold (slight crease and minute flaking). (2) The Presentation in the Temple (the wrong image for Compline!), the Virgin and Child, followed by a handmaiden carrying a basket, facing Symeon the priest, on burnished gold ground (rubbed, particularly the figure of the priest, also the border). The artist may come from the same, or a related workshop, as in a Book of Hours for the use of St.Omer in the Walters Art Gallery, Baltimore (W.90), cf. L.M.C.Randall, Medieval and Renaissance Manuscripts in the Walters Art Gallery no.54
BOOK OF HOURS, in Latin, ILLUMINATED MANUSCRIPT ON VELLUM, [Amiens, or North-Eastern France, circa 1300] 20 leaves only, 120x84mm, 11 lines, justification 63x46mm, written in black ink in a gothic textura, rubrics in red, initials in gold or blue, with penwork flourishing, 14 two-line initials in gold, red or blue on contrasting ground with white tracery, inhabited mostly by human heads and rabbits, line-fillers in blue, white and gold, 14 three-quarter cusped baguette borders, ornamented with dragons and drolleries of jugglers, fools, monks, noble ladies and grotesques. 2 SIX-LINE HISTORIATED INITIALS, with full cusped bar borders, decorated with gold, and supporting various animals, monkeys fighting, rabbits and dogs TEXT: The fragment comprises 8 leaves from Prime (complete); 6 leaves from Compline (lacking the end); 6 leaves from Penitential Psalms and Litany. It seems likely that the Hours are for the use of Amiens, St.Omer or Arras. ILLUMINATION: The two extant historiated initials show (1) The Nativity. A very finely executed round 'D', the Virgin lying in bed, a sitting Joseph at her side asleep, two asses looking over a gothic brick wall, on burnished gold (slight crease and minute flaking). (2) The Presentation in the Temple (the wrong image for Compline!), the Virgin and Child, followed by a handmaiden carrying a basket, facing Symeon the priest, on burnished gold ground (rubbed, particularly the figure of the priest, also the border). The artist may come from the same, or a related workshop, as in a Book of Hours for the use of St.Omer in the Walters Art Gallery, Baltimore (W.90), cf. L.M.C.Randall, Medieval and Renaissance Manuscripts in the Walters Art Gallery no.54
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