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Auktionsarchiv: Los-Nr. 37

Berthe Morisot (French, 1841–1895

Schätzpreis
150.000 $ - 250.000 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 37

Berthe Morisot (French, 1841–1895

Schätzpreis
150.000 $ - 250.000 $
Zuschlagspreis:
n. a.
Beschreibung:

Berthe Morisot (French, 1841–1895) Apollon Révélant sa Divinité à la Bergère Issé (after François Boucher Oil on canvas 25 1/8 x 31 1/4 in. (63.8 x 79.4cm) Executed in 1892. provenance: The Artist. The Artist's daughter, Julie Manet (then Madame Ernest Rouart . By descent in the Rouart family. Acquired directly from the above. Private Collection, New York, New York. EXHIBITED: "Exposition Annuelle," Association pour l'Art, Antwerp, May 1893. "Berthe Morisot," Galerie Durand-Ruel, Paris, 1896, no. 359. "Exposition de 1907," Société du Salon d'Automne, Paris, 1907, no. 56. "Exposition d'Oeuvres de Berthe Morisot " Galerie Bernheim-Jeune, Paris, 1929, no. 53. "Berthe Morisot," Musée de l'Orangerie, Paris, 1943, no. 104. LITERATURE: Armand Fourreau, Berthe Morisot [translated from French into English by Hubert Wellington] Dodd, Mead and Co., New York, 1925, mentioned p. 61 (not illustrated). Monique Angoulvent, Berthe Morisot Éditions Albert Morancé, Paris, 1933, mentioned in Chapter "Nostalgie," p. 102 and catalogued as no. 548, p. 146 (as Copie d'Apollon Visitant Latone, de Boucher ). Denis Rouart, et al., The Correspondence of Berthe Morisot with Her Family and Friends, [translated from French into English by Betty W. Hubbard] Lund, Humphries & Co., Ltd, London, 1957; and E. Weyhe, New York, 1959, mentioned p. 174 (not illustrated); also mentioned p. 197 in the subsequent 1986 and 1987 editions. Marie-Louise Bataille and Georges Wildenstein, Berthe Morisot Catalogue des Peintures, Pastels et Aquarelles, Les Beaux-Arts, Paris, 1961, no. 320, fig. 323, p. 45 (illustrated as Apollon Visitant Latone (Copie d'après Boucher) ). Alexandre Ananoff and Daniel Wildenstein, François Boucher La Bibliothèque des Arts, Lausanne, 1976, fig. 1337 (illustrated). Julie Manet Journal (1893-1899): Sa Jeunesse Parmi les Peintres Impressionistes et les Hommes de Lettres, Librairie C. Klincksieck, Paris, 1979, mentioned p. 85. Charles F. Stuckey and William P. Scott, "Morisot's Style and Technique," in Berthe Morisot Impressionist, an exhibition catalogue, Hudson Hills Press, New York, 1987, fig. 111, p. 212 (illustrated as ). Alain Clairet, Dephine Montaland, and Yves Rouart, Berthe Morisot 1841-1895, Catalogue Raisonné de l'Oeuvre Peint, CÉRA-nrs editions, Montolivet, 1997, mentioned p. 70, commented as no. 324, illustrated p. 272 (as Apollon Visitant Latone ). Ann Dumas et al., "Painted in an Hour: Impressionism and Eighteenth-Century French Art," in Inspiring Impressionism: The Impressionists and the Art of the Past, Yale University Press, New Haven, 2007, mentioned p. 139 (not illustrated). William P. Scott, "A Painter's Painter," in Berthe Morisot Woman Impressionist, an exhibition catalogue, Rizzoli Electa, New York, 2018, fig. 4, p. 162 (illustrated as Apollo Revealing His Divnity Before the Shepherdess Issé ). Marianne Mathieu, "Une Artiste en Devenir," in Berthe Morisot an exhibition catalogue, Coédition Musées d'Orsay et de l'Orangerie, Flammarion, Paris, 2018, fig. 105, p. 189 (illustrated as Apollon Visitant Latone, d'après Apollon Révélant sa Divinité à Issé ). NOTE: By embracing an artistic career at an early age, Berthe Morisot purposely went against the etiquette of the time, which encouraged women of the bourgeoisie to paint only as a pastime. Yet, Morisot's sheer passion and doggedness eventually allowed her to become one of the most daring painters of her time. Alongside her contemporaries Claude Monet and Edgar Degas she was a major figure of Impressionism, and a true modernist who masterfully blurred the boundaries between sketches and finished works and pushed the limits of portraiture, landscape and genre painting altogether. Considered the supreme painter of modern femininity for choosing elegant Parisian women as her subjects, along with her bright palette and showy brushwork, Berthe Morisot also channeled aspects of the Grande Tradition of French painting. In 1890-1891, the year before she completed the present pa

Auktionsarchiv: Los-Nr. 37
Auktion:
Datum:
18.02.2020
Auktionshaus:
Freeman's
2400 Market Street, Philadelphia
Beschreibung:

Berthe Morisot (French, 1841–1895) Apollon Révélant sa Divinité à la Bergère Issé (after François Boucher Oil on canvas 25 1/8 x 31 1/4 in. (63.8 x 79.4cm) Executed in 1892. provenance: The Artist. The Artist's daughter, Julie Manet (then Madame Ernest Rouart . By descent in the Rouart family. Acquired directly from the above. Private Collection, New York, New York. EXHIBITED: "Exposition Annuelle," Association pour l'Art, Antwerp, May 1893. "Berthe Morisot," Galerie Durand-Ruel, Paris, 1896, no. 359. "Exposition de 1907," Société du Salon d'Automne, Paris, 1907, no. 56. "Exposition d'Oeuvres de Berthe Morisot " Galerie Bernheim-Jeune, Paris, 1929, no. 53. "Berthe Morisot," Musée de l'Orangerie, Paris, 1943, no. 104. LITERATURE: Armand Fourreau, Berthe Morisot [translated from French into English by Hubert Wellington] Dodd, Mead and Co., New York, 1925, mentioned p. 61 (not illustrated). Monique Angoulvent, Berthe Morisot Éditions Albert Morancé, Paris, 1933, mentioned in Chapter "Nostalgie," p. 102 and catalogued as no. 548, p. 146 (as Copie d'Apollon Visitant Latone, de Boucher ). Denis Rouart, et al., The Correspondence of Berthe Morisot with Her Family and Friends, [translated from French into English by Betty W. Hubbard] Lund, Humphries & Co., Ltd, London, 1957; and E. Weyhe, New York, 1959, mentioned p. 174 (not illustrated); also mentioned p. 197 in the subsequent 1986 and 1987 editions. Marie-Louise Bataille and Georges Wildenstein, Berthe Morisot Catalogue des Peintures, Pastels et Aquarelles, Les Beaux-Arts, Paris, 1961, no. 320, fig. 323, p. 45 (illustrated as Apollon Visitant Latone (Copie d'après Boucher) ). Alexandre Ananoff and Daniel Wildenstein, François Boucher La Bibliothèque des Arts, Lausanne, 1976, fig. 1337 (illustrated). Julie Manet Journal (1893-1899): Sa Jeunesse Parmi les Peintres Impressionistes et les Hommes de Lettres, Librairie C. Klincksieck, Paris, 1979, mentioned p. 85. Charles F. Stuckey and William P. Scott, "Morisot's Style and Technique," in Berthe Morisot Impressionist, an exhibition catalogue, Hudson Hills Press, New York, 1987, fig. 111, p. 212 (illustrated as ). Alain Clairet, Dephine Montaland, and Yves Rouart, Berthe Morisot 1841-1895, Catalogue Raisonné de l'Oeuvre Peint, CÉRA-nrs editions, Montolivet, 1997, mentioned p. 70, commented as no. 324, illustrated p. 272 (as Apollon Visitant Latone ). Ann Dumas et al., "Painted in an Hour: Impressionism and Eighteenth-Century French Art," in Inspiring Impressionism: The Impressionists and the Art of the Past, Yale University Press, New Haven, 2007, mentioned p. 139 (not illustrated). William P. Scott, "A Painter's Painter," in Berthe Morisot Woman Impressionist, an exhibition catalogue, Rizzoli Electa, New York, 2018, fig. 4, p. 162 (illustrated as Apollo Revealing His Divnity Before the Shepherdess Issé ). Marianne Mathieu, "Une Artiste en Devenir," in Berthe Morisot an exhibition catalogue, Coédition Musées d'Orsay et de l'Orangerie, Flammarion, Paris, 2018, fig. 105, p. 189 (illustrated as Apollon Visitant Latone, d'après Apollon Révélant sa Divinité à Issé ). NOTE: By embracing an artistic career at an early age, Berthe Morisot purposely went against the etiquette of the time, which encouraged women of the bourgeoisie to paint only as a pastime. Yet, Morisot's sheer passion and doggedness eventually allowed her to become one of the most daring painters of her time. Alongside her contemporaries Claude Monet and Edgar Degas she was a major figure of Impressionism, and a true modernist who masterfully blurred the boundaries between sketches and finished works and pushed the limits of portraiture, landscape and genre painting altogether. Considered the supreme painter of modern femininity for choosing elegant Parisian women as her subjects, along with her bright palette and showy brushwork, Berthe Morisot also channeled aspects of the Grande Tradition of French painting. In 1890-1891, the year before she completed the present pa

Auktionsarchiv: Los-Nr. 37
Auktion:
Datum:
18.02.2020
Auktionshaus:
Freeman's
2400 Market Street, Philadelphia
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