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Auktionsarchiv: Los-Nr. 296

Bernd and Hilla Becher

Schätzpreis
6.000 £ - 8.000 £
ca. 9.676 $ - 12.901 $
Zuschlagspreis:
7.500 £
ca. 12.095 $
Auktionsarchiv: Los-Nr. 296

Bernd and Hilla Becher

Schätzpreis
6.000 £ - 8.000 £
ca. 9.676 $ - 12.901 $
Zuschlagspreis:
7.500 £
ca. 12.095 $
Beschreibung:

Bernd and Hilla Becher Rensdorfstr. 5 Salchendorf 1959, printed c. 2002 Gelatin silver print. 61.3 x 48.9 cm (24 1/8 x 19 1/4 in). Signed, titled and dated and numbered of five 'Bernd Becher Hilla Becher Rensdorfstr. 5 Salchendorf PH 1959' on the reverse. This work is from an edition of five.
Provenance Sonnabend Gallery, New York Artist Bio Bernd and Hilla Becher German • Bernd 1931-2007 - Hilla 1934-2015 Husband and wife Bernd and Hilla Becher began photographing buildings and relics of the Industrial Revolution, such as coal mines and cooling towers, in 1959. Like objective scientists removing a specimen from the field, the Bechers framed their subject in a manner that isolated it from its environment. Often, these stark, beautifully detailed prints were then displayed in grid-like structures, forming stunning 'Typologies'. By the time Bernd Becher became a professor at the Düsseldorf Art Academy in 1976 (policy would not allow Hilla to be a simultaneous appointment), the Bechers' photographs, with their seemingly neutral point of view and serial display, were already being applauded by the international art world as important works of Minimal and Conceptual Art. View More Works

Auktionsarchiv: Los-Nr. 296
Auktion:
Datum:
18.02.2011
Auktionshaus:
Phillips
London
Beschreibung:

Bernd and Hilla Becher Rensdorfstr. 5 Salchendorf 1959, printed c. 2002 Gelatin silver print. 61.3 x 48.9 cm (24 1/8 x 19 1/4 in). Signed, titled and dated and numbered of five 'Bernd Becher Hilla Becher Rensdorfstr. 5 Salchendorf PH 1959' on the reverse. This work is from an edition of five.
Provenance Sonnabend Gallery, New York Artist Bio Bernd and Hilla Becher German • Bernd 1931-2007 - Hilla 1934-2015 Husband and wife Bernd and Hilla Becher began photographing buildings and relics of the Industrial Revolution, such as coal mines and cooling towers, in 1959. Like objective scientists removing a specimen from the field, the Bechers framed their subject in a manner that isolated it from its environment. Often, these stark, beautifully detailed prints were then displayed in grid-like structures, forming stunning 'Typologies'. By the time Bernd Becher became a professor at the Düsseldorf Art Academy in 1976 (policy would not allow Hilla to be a simultaneous appointment), the Bechers' photographs, with their seemingly neutral point of view and serial display, were already being applauded by the international art world as important works of Minimal and Conceptual Art. View More Works

Auktionsarchiv: Los-Nr. 296
Auktion:
Datum:
18.02.2011
Auktionshaus:
Phillips
London
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