Auctioneering Prints: the Collection of the late W.F. "Bill" Brooks (1924-2010) AUCTIONEERING GILLRAY (JAMES) A Cognoscenti contemplating ye Beauties of ye Antique, February, 1801--DIGHTON (ROBERT) 'The Specious Orator' [James Christie], 25 March 1794, 2 copies; 'A View Near Hyde Park Corner' [Edmund Tattersall], February 1802, 2 copies, etchings, all but one copy of Tattersall hand-coloured--KNIGHTON-HAMMOND (ARTHUR HENRY) 3 studies of Christie's saleroom circa 1938-9, hand-coloured etchings, trial or artist's proofs, signed in pencil below--WARD (SECUNDUS) The saleroom of Debenham Storr circa 1870s, sepia-toned platinum print from earlier negative, printed circa 1920, various sizes, framed; and 7 others, including 3 by George Sprod for Punch (15)
Auctioneering Prints: the Collection of the late W.F. "Bill" Brooks (1924-2010) AUCTIONEERING GILLRAY (JAMES) A Cognoscenti contemplating ye Beauties of ye Antique, February, 1801--DIGHTON (ROBERT) 'The Specious Orator' [James Christie], 25 March 1794, 2 copies; 'A View Near Hyde Park Corner' [Edmund Tattersall], February 1802, 2 copies, etchings, all but one copy of Tattersall hand-coloured--KNIGHTON-HAMMOND (ARTHUR HENRY) 3 studies of Christie's saleroom circa 1938-9, hand-coloured etchings, trial or artist's proofs, signed in pencil below--WARD (SECUNDUS) The saleroom of Debenham Storr circa 1870s, sepia-toned platinum print from earlier negative, printed circa 1920, various sizes, framed; and 7 others, including 3 by George Sprod for Punch (15)
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