Andy Warhol Mildred Scheel 1980 Screenprint with diamond dust. 30 1/4 x 42 1/2 in. (76.8 x 108 cm). Signed, numbered of 50 and dated "©Andy Warhol 1980" on reverse and "Andy Warhol" lower right. This work is from an edition of 50 plus 50 artist's proofs.
Provenance DJT Fine Art, New York Literature F. Feldman and J. Schellmann ed., Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, p.114 (illustrated) Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
Andy Warhol Mildred Scheel 1980 Screenprint with diamond dust. 30 1/4 x 42 1/2 in. (76.8 x 108 cm). Signed, numbered of 50 and dated "©Andy Warhol 1980" on reverse and "Andy Warhol" lower right. This work is from an edition of 50 plus 50 artist's proofs.
Provenance DJT Fine Art, New York Literature F. Feldman and J. Schellmann ed., Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, p.114 (illustrated) Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
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