By Yamada Motonobu probably for the Ozeki company, Meiji Period Each of globular form with a tall slender neck, the body inset with alternate shibuichi and shakudo leaf-shaped panels containing kacho-e elaborately inlaid in iro-e takazogan, the neck of openwork silver with the upper section applied with lappets of ho-o among stylised floral sprays in translucent enamels beneath a shakudo band of cherry blossoms in gold, silver and copper honzogan, the silver bracket handles decorated with floral motifs worked in gold wire repousse enamels, signed in a gold reserve Inshi zo. 23.5cm (9¼in) high. ((2).).
By Yamada Motonobu probably for the Ozeki company, Meiji Period Each of globular form with a tall slender neck, the body inset with alternate shibuichi and shakudo leaf-shaped panels containing kacho-e elaborately inlaid in iro-e takazogan, the neck of openwork silver with the upper section applied with lappets of ho-o among stylised floral sprays in translucent enamels beneath a shakudo band of cherry blossoms in gold, silver and copper honzogan, the silver bracket handles decorated with floral motifs worked in gold wire repousse enamels, signed in a gold reserve Inshi zo. 23.5cm (9¼in) high. ((2).).
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