Beschreibung:

Amy Bravo Tooth Sprout, 2022 Acrylic, Graphite and Wax Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amy Bravo is a Cuban/Italian American visual artist located in New York. Education 2019 BFA Communications Design (Illustration), Pratt Institute Exp. Spring 2022, MFA Painting, Hunter College Select Exhibitions/Awards 2018, 'Volume 2: The Anniversary Show", Tectonic Space in Baltimore, MD 2018, 'Red Envelope Show', Flushing Town Hall in Queens, NY, curated by Albert Chau 2019 Featured in the Brooklyn Museum's Pop-Up Library as part of the Frida Kahlo Appearances Can Be Deceiving opening 2019, 'Turista', Thesis show at Pratt Institute, self-curated in Brooklyn, NY 2020, 'Portrait: Identity and Expression', Site:Brooklyn, Brooklyn, NY curated by Claire Voon 2020: 'Red Envelope Show', City Point, Brooklyn, NY, curated by Albert Chau 2020: 'YB2P' Catinca Tabacaru, Harlem, NY, curated by Danny Baez. 2020: 'Young Artists: One", Fridman Gallery, curated by James Bartlett 2020: '100 Drawings from Now" The Drawing Center, New York, NY curated by Rosario Guiraldes 2020: 'Admirational Invitational' Studio E Gallery, Seattle, WA, curated by represented artists 2020: 'Paradoxe', Serving the People, Online Exhibition, curated by Tyler Glenn 2021 'Cruising the Horizon: New York' The Latinx Project at NYU, New York, NY, curated by Marissa Del Toro 2021 'Flame Tree' Regular Normal, New York, NY, curated by Bony Ramirez 2021 'These Opalescent Dreams of Mine', Selena's Mountain, Brooklyn, NY, curated by Olivia Swider 2021 'Still Around: Here', The Magic Hour Seaport Art Walk, New York, NY, curated by Andrea Delph, Danny Baez and Anne-Laure Lemaitre 2021 'Genesis: Light and Beauty', Strada Pop-Up, New York, NY, curated by Layal Srouji 2021 'Amy Bravo, Anjuli Rathod and Larissa DeJesus Negron', Selena's Mountain at SWAB Art Fair, Barcelona, SP, curated by Olivia Swider 2021 'Convalescence of Tongues', Grove Collective, London, UK, curated by Jacob Barnes You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.